Bexel Develops Compact POV Camera for HFR Live Production

Bexel’s Global Broadcast Solutions division has unveiled a miniature, high-frame-rate (HFR) camera for live production that, due to its size, can be mounted in a myriad of places while capturing steady and smooth real-time images; in both standard rates and HFR (up to 480 fps in HD). The new Clarity 800 is the first model in Bexel’s new family of cameras targeting the POV market. Future camera models for both HD and 4K (UHD), using the same system design, will be introduced later this year.

With its vast experience in live production, Bexel has recognized a need for such a small camera—only 4.7 inches high, 2.56 inches wide, and 1 inch thick—in HFR projects, for applications like sports and event production. It has announced two different models, one for HD (up to 8x at 480 fps), and the second for 4K (UHD, up to 2x at 120 fps), with the Clarity 800-HD the first to be delivered. The camera uses a 4K 7mp Micro 4/3-inch CMOS imager and 1080p HD signal processing.

“Our own experiences supporting customers' demanding production requirements — from the court to the ice — revealed there was a strong market demand for a high-speed camera with real-time processing,” said Edd Bonner, vice president of engineering and operations, Bexel. “We also identified growing demand for HFR, and a complete gap in the market for a POV camera with real-time processing optimized for live sports. The Clarity 800 will be a real game-changer for our industry, allowing for HFR to be easily used in any application.”

Bonner said that the Clarity 800 easily integrates into a live event ecosystem, operating as a broadcast camera system with real-time processing via fiber optics and integration with industry-standard video servers. Features include a full-function camera remote control panel (RCP) for paint control of the camera and a positive-lock lens mount with lens control of focus, iris, and zoom motors.

“A robust and affordable camera of this size and with these features is highly desirable in the environments in which we operate,” said Tom Dickinson, chief technology officer, Bexel. “HFR for HD video will continue to expand, and broadcasters need to be ahead of viewer demand for the latest formats.”

The Clarity 800 camera is available for rent exclusively through Bexel and Camera Corps, which has an expansive global footprint spanning the Americas and Europe. More information about the Clarity 800 and other Bexel products and services is available here.

You might also like...

Sports Re-Starts Without Fans And The Virtual Crowd Goes Wild

In mid-May of this year, as countries such as Germany, England, and Spain considered easing COVID-19 restrictions to allow professional sports to resume, various professional sports leagues began discussions with broadcasters and production companies on the best way to televise…

Presented In Cinemascope

Electronic camera manufacturers have spent – by some measures – something like the last twenty years trying to make digital cameras that shoot pictures that look like real movies. Now, they’re making cameras with larger and larger sensors, the better to simul…

Moving Cameras

The world’s oldest surviving motion picture, often called Roundhay Garden Scene, does not include any camera movement. It’d be tricky to imagine anything approaching a move, since the scene, which was shot in 1888 by Louis Aime Augustin Le Pri…

Shooting Video In Extreme Cold Weather

Cold weather videography can be challenging and is plagued with danger for the production gear. Driving rain and snow can ruin unprotected gear, while extreme cold can shorten battery life and threaten a range of devices in the production chain.…

The Sponsors Perspective: HDR and WCG Drives The Need For New Production Tools and Workflows

Within broadcast there has always been a quest for higher and higher resolution with improvements in wider color fidelity. The quest has always been to deliver what we see to the audience, often this is limited by technology or cost…