Editors everywhere will welcome the return of PhraseFind and ScriptSync to Avid’s Media Composer at the 2017 NAB Show.
At the 2017 NAB Show, Avid will be bringing back two old friends to their Media Composer edit systems: PhraseFind and ScriptSync.
Not only are these options for this industry favorite NLE available again, but Avid insists they are “enhanced versions” compared to the ones we had to sadly say good-bye to in 2014.
The “whys’ and “wherefores” make a story in themselves.
“PhraseFind and ScriptSync have an interesting history that goes back well over a decade as plug-ins for Media Composer,” Dave Colantuoni, Avid’s senior director of product management told The Broadcast Bridge in a private phone interview. “They involve some technology we were using resulting from a partnership with the Emmy award winning company Nexidia, and their return is a direct result of requests from our Avid Customer Association (ACA).”
First, the basics. ScriptSync is a phonetic indexing option that inputs the text of a script, then listens to the recorded track of each take and indexes it’s words to the relevant part of the script. Now the editor can identify all the takes by their reference to a given script section.
PhraseFind lets you find sections of the recorded media by searching for spoken words and phrases, thereby eliminating hundreds of hours of logging material just to know what you have and where it is. PhraseFind is even clever enough to deal with a remarkable range of dialects and accents, and can be set to handle a spectrum of languages.
As Colantuoni explained it for us, “Nexidia has technology that takes spoken words and transitions them into voice metadata that is searchable. Since it last appeared in Media Composer, they have made that technology, and its related search engines, even more robust.
“They’ve also given PhraseFind and ScriptSync new features such as an ‘undo/redo‘ functionality, the ability to view clip frames in their native format (4x3 and 16x9), additional colors for richer organization and script markup, and the ability to edit text in the script to match what the speaker actually said.”
So what happened to them?
ScriptSync was first introduced to rave response in 2007.
PhraseFind joined it in May 2011.
Both were discontinued in May 2014.
It happens that Nexidia and their lucrative phonetic engine technology is very involved in many other industries and wanted to expand its relationship with Avid beyond Media Composer and to the MediaCentral platform. The withdrawal of their license in 2014 seems to have had much to do with Nexidia’s desire to have more customer accessibility on an enterprise level.
Now those considerations and business terms apparently have been worked out, giving Nexidia more access to Avid’s platform and customers.
But the only thing that matters to editors is, PhraseFind and ScriptSync are back!
Colantuoni tells us that PhraseFind and ScriptSync only work as options for Media Composer and can be bundled with MC software or purchased separately.
However, those who still have the older versions of PhraseFind and ScriptSync can even just buy updates.
If you attend the 2017 NAB Show, even just a short booth demo will make you a believer.
Having worked with these two software gems myself in their earlier incarnations, I can tell you they are a godsend when faced with ploughing through 100’s of hours of scripted, but unlogged, dailies.
You might also like...
Calling all video editors. This week we showcase two articles on cloud-based production workflows. If you are involved in bringing content to life, these two articles will help you decide if a cloud-based solution might be for you. Part one…
In the first installment of this article series, we investigated a solution to the post-production editing challenge offered by Avid. Now it is time to see how a prominent facility puts that technology to work.
In today’s fast-pace media world, content often needs to be edited where the content is being produced. A workflow has been developed by Avid that supports an off-site, high-end post production workflow. All the editor needs is an adequate i…
This article concludes a three-part series on color grading products and technology. There are both hardware and software-based systems in all varieties of sophistication and cost. Key is first understanding your needs, then find a solution to match.
Color grading may be one of the most processing intensive special effects in post production, but many call it the “unseen VFX”. In the first installment of this three-part series we looked at its current state because, when done properly, the…