PreSonus Studio Introduces 2|6 and 6|8 Ultra-High-Def Recording for the Desktop

PreSonus Studio has introduced the Studio 26 and Studio 68 USB 2.0 audio/MIDI interfaces for affordable ultra-high-definition recording for a wide range of users.

PreSonus said both interfaces record at up to 24-bit, 192 kHz resolution and feature high-quality microphone preamps, audiophile-grade digital converters, ultra-low-jitter clocking and MIDI I/O. 

PreSonus Studio One Artist DAW

PreSonus Studio One Artist DAW

The Studio-series interfaces come with PreSonus Studio One Artist DAW software for the Mac and Windows platforms.

PreSonus Studio 26

PreSonus Studio 26

The Studio 26 2x4 bus-powered audio/MIDI interface features two front-panel combo mic and switchable line/instrument inputs with +48V phantom power for condenser mics. In addition to the L/R main outputs, there are two balanced line outputs for monitor mixing, while LED meters indicate input and output levels.

A Cue Mix A/B function allows users to toggle between two mixes while monitoring through headphones.

Back panel of PreSonus Studio 26

Back panel of PreSonus Studio 26

The Studio 68 six-in, six-out audio/MIDI interface has two front-panel combo mic/line/instrument inputs and two rear-panel mic/line inputs. In addition to the L/R main outputs, there are two balanced line outputs for monitor mixing or speaker switching plus S/PDIF I/O. A Cue Mix A/B function also allows users to toggle between two mixes while monitoring through headphones.

Both PreSonus Studio-series audio/MIDI interfaces are available immediately at PreSonus dealers. The Studio 26 is priced at $199, while the Studio 68 is $299.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

The Sponsors Perspective: Production Automation For Immersive Audio

Lawo’s Christian Struck looks at the potential for production automation in immersive sports broadcasting, and how it can help move towards a personalized, object-based experience.

The Sponsors Perspective: Immersive Audio Monitoring

Genelec Senior Technologist Thomas Lund moves the monitoring discussion on to the practical considerations for immersive audio, wherever you are.

Essential Guide: Immersive Audio Pt 4 - Options And Tools For Production Of Live Immersive Content

In this fourth installment of the Immersive Audio series we investigate the production tools needed to produce live immersive content. Moving from channel-based output to object audio presents some interesting challenges as the complex audio image moves around in three-dimensional…

Essential Guide: Immersive Audio Pt 3 - Immersive Audio Objects

Immersive audio transforms the listening environment to deliver a mesmerizing and captivating experience for a wide range of audiences and expansive group of genres.

Loudness for Audio Producers

Wild variations in the levels of program audio has long been a problem for broadcast outlets. Due to controversy over varying audio levels, governments have forced broadcasters to specify specific loudness levels for all programming. In this article, we’ll l…