Stryme’s GenesiX V7 is a 16 Channel Server

Stryme’s new flagship product is the 16 input/output channels (SD/HD/4K ready) 2U GENESIX VideoServer V7. At just 2RU it is targeted for placement in OB vans.

Stryme, long-term supplier of the Austrian Broadcast Corporation (ORF) claims the GENESIX V7 is the first of its class on the market.

The GENESIX VideoServer V7 enhances multi-cam Ingest performance and comes with functionalities that simplify, speed up and optimise workflows, such as the time-saving Transfer While Capture function. An Edit While Capture function ensures simultaneous and frame accurate Multi-Cam Ingest for live sports broadcasts and post-production highlight cuts.

“Our customers expect the best: consistent high quality and reliability as well as a sophisticated, cost-effective and failsafe technical solution that meets their needs – today and tomorrow," says CEO Goce Zdravkoski. "Our 2U GENESIX VideoServer V7 with 16 flexibly configurable HD channels meets all these needs, and more. It is currently unmatched in the industry.”

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

“Orbital Redux” Soars in Live Video Production

Last Fall, “Orbital Redux” broke new ground for streaming entertainment as a live, scripted multi-episode sci-fi drama in which the audience determined the outcome of the action.

Where is Production Technology Headed for 2019? Part 2

This is part 2 of the series “Where is Production Technology Headed for 2019?” Here we ask three executives from key production technology companies for their thoughts on new technology developments for 2019.

Where is Production Technology Headed for 2019? Part 1

Many in the media business are quick to offer insight into the direction of new technology. This is the beginning of a series of articles where thought leaders in the post community share some of their ideas on upcoming 2019 technological…

Essential Guide:  IP - The Final Frontier

Today’s broadcast engineers face a unique challenge, one that is likely unfamiliar to these professionals. The challenge is to design, build and operate IP-centric solutions for video and audio content.

Cost-effective IP Contribution and Distribution

Saving dollars is one of the reasons broadcasters are moving to IP. Network speeds have now reached a level where real-time video and audio distribution is a realistic option. Taking this technology to another level, Rohde and Schwarz demonstrate in…