BenQ Releases 31.5” 4K UHD Monitor

The new 31.5” SW320 HDR monitor from BenQ is a cost-effective UHD monitor for professional applications and it includes color calibration.

BenQ, a company whose name stands for “Bringing Enjoyment ‘N’ Quality to Life”, has been bringing out a series of advanced monitors which we have covered in the pages of The Broadcast Bridge, most recently their 32-inch PV3200PT “video editing” monitor.

Now they have raised the ante by adding advanced features to their new 31.5” SW320 monitor that boasts HDR (High Dynamic Range), 4K UHD resolution and 99% of the Adobe RGB color gamut among many other benefits for the professional photographer market.

One of the SW320’s most intriguingly useful features is BenQ’s Palette Master Elements software for hardware calibration

Jason Lee, BenQ’s business manager told The Broadcast Bridge in an interview that “This means the monitor can be calibrated with the use of a colorimeter (for example X-Rite i1 Display Pro or Datacolor Spyder 5) to ensure the colors stay accurate,” he said. “When running a hardware calibration, the colorimeter accesses the monitor’s internal image processing chip (IC scalar) made possible by BenQ’s Palette Master Element software which is included with purchase and can be downloaded from BenQ’s official website.”

Although the is primarily designed for photographers, video shooters will appreciate that it is capable of a 100% Rec 709 color gamut, has a true 10-bit IPS back panel and can accommodate 14-Bit 3D LUT’s.

But whether for still or motion imagery, one of its handiest features is called GamutDuo.

You can see a video of how GamutDuo works here:

“The GamutDuo function enables you to simultaneously display content side-by-side in two different color spaces, such as Adobe RGB and sRGB,” Lee said. “This helps photographers to compare photographs side-by-side for quick comparison.”

And you’ve gotta love a feature called the “Hockey Puck”.

“The Hotkey Puck is a remote controller that allows for quick color mode switching, for example between Adobe RGB, sRGB, Black & White mode,” Lee explained. “The three preset buttons can also be customized to map other modes or settings, such as brightness and contrast.”

The 31.5” SW320 also supports HDR, but it should be understood that this is just the HDR-10 or ST2084 version and not Dolby Vision. That’s probably to keep costs down since Dolby Vision requires special hardware and is difficult to upgrade.

The SW320 can rotate 90 degrees, enabling viewing in portrait or landscape mode.

The SW320 can rotate 90 degrees, enabling viewing in portrait or landscape mode.

Also worth mentioning is the shading hood included with the SW320 that an be used in portrait as well as landscape orientation to block out ambient light from impacting the display.

The SW320 is Technicolor Color Certified, has a built-in SD card reader and USB 3 ports

One final point is that although initial specifications rated the SW320 monitor with a 96% DCI-P3 color gamut, production models proved to have only 87%. But since DCI-P3 is more of interest to digital cinema projection than professional still photographers, Adobe RGB is the main color gamut they use and the SW320 covers 99% of it. 

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

LG Builds Dual-Tuner ATSC 1.0/3.0 Ultra HD TVs for the Korean Market

LG Electronics is launching the first ATSC 3.0-equipped 4K Ultra HD TVs in Korea as SBS and other Korean broadcasters begin Next Gen TV broadcasting this spring in advance of the 2018 Winter Olympics.

BT Sport Produces World’s First All-IP 4K Broadcast

On September 10th Arena Television, one of the UK’s leading mobile production service providers, helped the BT Sport network produce a 4K broadcast (in UHD resolution) of a soccer match that was simulcast in UHD and HD over an a…

Slovakian Broadcaster Covers Dancing and Disasters with New HD OB Vehicle

Televizia Markiza, a leading commercial television broadcaster in Slovakia, is now fully high definition after adding a new outside broadcast truck to its fleet. Its latest HD vehicle was built by German systems integrator Broadcast Solutions working with Slovakian company…

​How to Quality Control for HDR

What are the impacts of High Dynamic Range on the Quality Control process? Given the confusion in the industry surrounding the different formats, the impact is greater than you’d think and still being worked through. The Broadcast Bridge took t…

UHD Post-Part 2 The Signal

With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.