Get Connected… All the latest information and product coverage at the 2017 NAB Show, by the editors of The Broadcast Bridge. Filter your results by category.
Click here

MOG Brings 360 Production Into Workflows

MOG brings 360 into production workflows with Briskeye 4K video camera MOG has integrated its central ingest systems and video cloud services with Briskeye’s 360 cameras for live and VOD content production and distribution.

The association aims to put an end to the pitfalls associated with acquiring the technology required to build 360 production environments. Designed for broadcasters and production companies, the Briskeye 360 camera is able to deliver a 360 live experience directly from a filming location to the audience. Says Luís Miguel Sampaio, CEO from MOG. “MOG has set the standard for file-based workflows and is now entering the market with the most advanced technology that enables the creation, publishing, distribution and management of media content for both live and VoD After launching the successful 360 live streaming demonstration at IBC, MOG is now integrating the Briskeye 360 camera with its comprehensive set of solutions to deliver state-of-the-art technology to those who are already using or planning to use 360 content.”

An advantage of the Briskeye 360 camera is its adaptive upstream features and the internal stitching in real-time which avoids the need for any additional equipment.

“Therefore, the Briskeye 360 camera is the perfect match with the MOG digital end-to-end solution,” says Sampaio. “With a cost-effective and simple solution, the user will be able to easily capture 360 content and store it on Solid State Disks (SSD) for ingestion and post-processing. Once the project is ready, the 360 content can be easily published to the web using MOG’s Cloud Services assuring a fast and secure delivery to end users on both second screens and VR headsets.”

Added Sampaio, “We found that the Briskeye 360 camera has an innovative set of features when compared to the other options available on the market. Its small size, stitching capabilities and its ability to render in real-time without the need for separate software makes it the perfect fit for MOG’s Video Cloud.”

MOG is presenting itself as a one-stop-shop supplier for new media channels and says it is now delivering the required technology to eliminate difficulties, reduce costs and drive new revenue services. "Adding a valuable solution like Briskeye Pro to our end-to-end solution represents a step forward in technology, bringing to the market a complete solution that will solve the biggest issues from both newcomers and existing players on the 360º content creation market," he added.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Viewpoint: Media Asset Management Meets Hybrid-Cloud

For modern MAM systems operating within the newly diversified media landscape, one size doesn’t fit all. In addition, with the demand to process more video content and deliver it to more channels, the cloud has become a key enabler.…

Articles You May Have Missed – April 12, 2017

One of the hot technologies to be showcased at the 2017 NAB Show is cloud. But as experts will admit, there is no one perfect “cloud solution”. Before you trek through miles of exhibits looking for cloud products, read these two…

Articles You May Have Missed – March 29, 2017

Broadcasters are not an adventurous lot. In fact, the phrase “No change is good,” might describe how some engineers’ think about new technology. A recent survey looked at how broadcast managers and engineers viewed an IP future. Think FUD.

Articles You May Have Missed

IP and Video Go Together. ​While OTA broadcasters await an IP delivery system, production tasks march ever closer toward IP-centric environments. So, where does an IP solution make sense today? Are manufacturers any closer to delivering the solutions they promised…

Automating Titling and Graphics Creation for Multiplatform Distribution

Aesthetically pleasing 3D titles and graphics are integral to providing the wow factor that keeps today’s broadcast viewers glued to the screen. These visual elements—including 3D and 2D titles, animated graphics and real-time data-driven overlays—provide the vital…