The Vantage Panel for Premiere Pro will make the submission of media and metadata more efficient.
Olympusat, a producer, distributor, and broadcaster of Spanish language programming in the US, has placed Telestream’s Vantage media processing platform at the core of its video production operations.
Olympusat provides over 100 channels of programming delivered through satellite and cable operators throughout the country. While some of these channels originate in Spain, Latin America or the Caribbean and are distributed in the USA by Olympusat, the company also produces six movies each month and delivers the content from their West Palm Beach headquarters.
Olympusat’s top networks include Cine Mexicano -- which is among the top five most watched channels in the USA according to RENTRAK’s USA Hispanic ratings, with a regular audience of 60 million people. Olympusat also recently launched VEMOX, an OTT platform with over 100 channels (70 Spanish, 30 English) and 30,000 hours of VOD content, which is available on Amazon Fire TV devices.
For each program, Olympusat's video production division, Olympusat Entertainment, typically produces anything from 30 to 100 different versions to suit different platforms and markets. To help automate this vast undertaking, they installed a Vantage system with nine nodes of transcoding, of which three are GPU-accelerated Telestream Lightspeed servers and six are generic Intel machines at the center of their transcoding operations.
"Producing and distributing this much content for so many platforms can only be achieved with a lot of talent and a high degree of process automation, and Telestream Vantage is ideally suited to the task. We added the Lightspeed servers to help when we were faced with a high priority urgent task to encode over 5000 titles to high quality H.264, and had very little time to respond.”Larry Dalton, Broadcast/IT Specialist at Olympusat Entertainment.
The workflow manager in Vantage makes this a simple and efficient process while Vantage ‘run-on’ rules direct tasks, which can benefit from GPU acceleration to the three Lightspeed servers and directs the other tasks to the generic Intel servers.
Dalton’s team edit their shows on Adobe Premiere, then export the finished edits to the Vantage system. At present this process requires some manual data input from the edit staff, but Dalton plans to implement the new Adobe Premiere panel in Vantage version 7 to streamline this procedure and automate the submission process to Vantage workflows.
The Vantage Panel for Premiere Pro will make the submission of media and metadata much easier and more efficient, providing Dalton and his team with a list of available workflows, and a built-in process for associating labels to the media during the submission process. With the Vantage Panel for Premiere, Olympusat editors will be able to track the progress of any encoding job on the Vantage server through the main Premiere Pro user interface.
You might also like...
In the data recording or transmission fields, any time a recovered bit is not the same as what was supplied to the channel, there has been an error. Different types of data have different tolerances to error. Any time the…
Lawo’s Christian Struck looks at the potential for production automation in immersive sports broadcasting, and how it can help move towards a personalized, object-based experience.
Genelec Senior Technologist Thomas Lund moves the monitoring discussion on to the practical considerations for immersive audio, wherever you are.
The Ultra HD Forum has given a stimulus to UHD deployments with the release of its latest 2.1 guidelines that give proper weight to all the ingredients constituting next generation A/V (Audio/Video).
In this fourth installment of the Immersive Audio series we investigate the production tools needed to produce live immersive content. Moving from channel-based output to object audio presents some interesting challenges as the complex audio image moves around in three-dimensional…