Core SWX is leveraging its new Refractory Lens Technology into the Bolt 250, a 250 watt output light that’s 40 percent thinner than its predecessor, the Bolt 220R.
Core SWX said the new Bolt 250 draws 13 watts of power and includes a separate on/off switch.
Featuring a wireless remote, the Bolt 250 can control the light from up to 250 feet away. The nine channel remote control and magnetic diffusion filter allows users to control on/off, select color temperature and adjust light intensity. The remote can bank up to 10 lights per channel, allowing for control of the lights in unison.
The Bolt 250 has an independent knob for color temperature between tungsten (3200K) and daylight (5600K), eliminating the need to mix and match between two dials for the most accurate ambient light. The zero to 100 percent dimming control allows users to change the brightness with no noticeable color shift.
The BT250 also comes with an accessory package that includes a 1/4-20 swivel shoe mount, PowerTap cable for DC powering off of a standard 14.4V brick battery and a magnetic diffusion filter. It also includes a battery and charger kit, and accepts Sony L-Series batteries.
You might also like...
Broadcasters and videographers use various strategies and elements of craft to effectively communicate our stories to viewers. First and foremost, the storytelling imperative requires a clear communication of genre.
For the past few years, development of all LED lighting has been on a roller coaster ride. A beneficiary has been LED lighting for professional video. It has gotten better, cheaper and smaller — much smaller.
Artists have exploited light as an essential part of art since the days of the old masters. Techniques like chiaroscuro use light to model the subject, to give depth to the two-dimensional rendition. These artists had two forms of light…
Roy Wagner, an award-winning director of photography, has chosen to use a single Rotolight Anova PRO bi-color LED studio light for his new feature film, Trouble Sleeping.
Small on-camera LED lights are now a dime a dozen in the market-place. But “on-camera” is a term that defines a category of compact lights. These lights don’t have to be mounted on a camera and their quality varies signi…