Kimlin with Alexa and Cooke lens in the Kentucky winter.
Hallmark Movies & Mysteries modern day TV western JL Ranch, wrapped winter production with Director Charles Robert Carner and Director of Photography Kris Kimlin. Shooting on location in Kentucky during winter — with snow, rain, mud, and temperatures ranging from -11°F to +50°F — Kimlin relied heavily on his Cooke S4/i lens package.
The Crystal Sky Pictures production stars starring Jon Voight, Melanie Griffith, Teri Polo, and James Caan, follows veteran rancher and former sheriff John Landsburg (Voight), who is forced to face federal bureaucracy when an old enemy, seeking revenge over a decades-old grudge, falsifies documents and alleges Landsburg doesn’t actually own his beloved family ranch.
DP Kris Kimlin used an ARRI Alexa on the shoot with Cooke S4/i 18mm, 25mm, 35mm, 50mm, 75mm, and 100mm lenses. Kimlin is no stranger to Cooke, having used a variety of Cooke Anamorphic/i lenses on two features, plus a number of other Cooke lenses in a host of television commercials. He is so confident of the performance and look of Cooke lenses, that a formal lens test was not conducted.
Readying a crane shot on JL Ranch
Kimlin considers Kentucky in winter a shooting paradise, where the sun sits low in the sky. For exterior scenes, he used lots of bounced lighting instead of exterior lights. Even interior night scenes used small 2Ks, muslin bounces and many practicals for a more natural look.
“The Cooke lenses allowed me to shoot wide open at 2 or 2.8 as the sun sets quickly in Kentucky, without any distortion, giving a crisp image with texture and warmth that other lenses don’t have,” added Kimlin. “Whether shooting wide open or closed, Cookes hold their value, giving a dimensionality to the face like no other lenses do – and I depend on that.
JL Ranch is scheduled to premiere on Hallmark Movies & Mysteries, formerly the Hallmark Movie Channel, in the U.S. in August, 2016.
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