Grass Valley Equipping All-IP Infrastructure 4K OB Vans for UK’s Arena Television

Looking to get ahead of the much-hyped SDI-to-IP video delivery migration wave that looks sure to be widespread in (most experts say) approximately five years, a UK-based outside broadcast services company called Arena Television is designing three new 4k (UHD)-capable OB vans that it says will give its clients far more flexibility in the way they handle video sources. High dynamic range (HDR) image acquisition will also be part of the complimentary mix.

Arena Television, said it plans to roll out the new triple-expando production vehicles in the next three years with the help of Grass Valley to help it achieve its lofty goal. It’s one of the first OB companies in Europe to embrace 4K UHD production based on an IP infrastructure in a broadcast truck. The new trucks are being built by coachbuilder ASCB and Arena is working with systems integrator Videlio to design and outfit them.

“We believe that basing our infrastructure on emerging technology will deliver the most powerful and advanced OB trucks in the world, capable of providing the service and flexibility customers will be expecting and demanding in the coming years,” said Richard Yeowart, group managing director of Arena. "For us, the key to success in this project was partnering with a company that provides a breadth of IP solutions and understands the need to maintain the high level of production capabilities that our clients have come to expect.”

A family-owned company since 1989, Arena Television operates a fleet of more than 20 fully equipped OB trucks. As part of the new deal, Grass Valley will supply the key product solutions in the three planned trucks, OBX, OBY and OBZ. The company said its new OBX is the first truck to be equipped with this new technology — which could include new e-license upgradeable Grass Valley LDX Series cameras with an IP interface on the camera in the future — and will hit the road this summer. The second truck, OBY, is due later in 2016 and OBZ will follow in 2017. 

With the help of Grass Valley, Arena TV will deploy a complete SDI-to-IP live production workflow in the field.

Arena has committed to purchasing the new LDX 86N Series native 4K cameras with XF Fiber base stations. Other equipment powering the trucks includes one Kayenne K-Frame Video Production Center switcher with 2 panels (panels and frames are cross-compatible for cost-effective repurposing), two GV Convergent IP/SDI Router Control and Configuration

Systems with SDN license, iControl facility monitoring, Densité 3+ FR4 frames with IPG-3901 High Density SDI/IP gateways, and GV Node IP processing and edge routing platforms with Kaleido series KMX-4911 cards enabling expansion up to an 18x2 multiviewer.

As the first of the new fleet, OBX is designed to support 32 camera productions and utilize end-to-end IP connectivity. The design is based around a Cisco IP switch, of which the core infrastructure is fiber, running 10GigE and where enabled, 40GigE. The architecture provides the ultimate production flexibility where existing baseband systems can seamlessly integrate with the new IP-enabled workflows. In addition, OBX is fully capable of adopting greater network speeds as they become available.

At launch, the IP workflow will utilize the SPMTE ST 2022-6 protocol and is designed to take advantage of emerging video and audio IP standards such as VSF TR03/04, which Grass Valley is supporting through the industry-aide AIMS initiative. Arena Television said it is running 4K UHD over 10GigE with Grass Valley’s 4K one-Wire solution that uses TICO compression. In addition to leveraging open standards, OBX is also “future ready” with regard to formats, with its ability to accommodate emerging formats such as HDR. Arena’s Yeowart also said OBX will run UHD 2Si, which provides benefits in resilience and monitoring for client confidence, and is able to integrate Quad-Link if required.

As the first of the new fleet, OBX is designed to support 32 camera productions and utilize end-to-end IP connectivity.

As the first of the new fleet, OBX is designed to support 32 camera productions and utilize end-to-end IP connectivity.

Latency and timing are critical in live productions and Grass Valley’s awareness of the end-to-end production requirements, careful system design, adoption of technologies and targeted research and development in products such as GV Node for low latency and vertically accurate switching, will contribute to the three new OB vans and give Arena clients the production facilities they demand today, with flexibility to develop their productions in the future.

[Of note: at the recent 2016 NAB Show, Grass Valley, and Cisco collaborated on a live demonstration of Grass Valley's remote IP production workflow, that illustrated both companies’ vision for leveraging SMPTE 2022-6.

The demonstration showed an interoperable workflow, from Cisco’s booth to Grass Valley’s live production booth, managed by Grass Valley’s new GV Convergent SDN (software-defined network) solution. This workflow showed broadcasters how scalable, programmable and advanced IP technologies could be deployed for live production with minimal delay while avoiding dropped packets.

From the Cisco booth, the new Grass Valley LDX 86 WorldCam camera with XCU HD/4K XF IP base station was shown sending a 3G SMPTE 2022-6 signal through two Cisco switches across a 10 GigE link between the North and South Halls of the Las Vegas Convention Center. Grass Valley's NVision 8500 IP Gateway router and Kaleido multiviewer were also shown at the Cisco booth with access to sources, including cameras, from the Grass Valley booth. In addition, multiple Cisco Nexus 7000 and 3000 Series switches were leveraged in the Grass Valley booth, both live in the engine room and in the theater area.]

You might also like...

Essential Guide: IP KVM – Delivering For Broadcasters

Having a collection of PCs and MACs stacked under a desk to facilitate the multitude of operational requirements not only proves difficult to operate but challenges our modern ideas around security and makes maintenance almost impossible.

Production In The Age Of Media Choice

The way consumers engage with content is constantly shifting and at a faster pace than ever before, leaving the television industry playing catch up. Broadcasters, production companies and content producers around the globe are seeing the complexities in production and…

Broadcasters Seek New Work Life Balance Around Remote Working

The changes in workflows with increased remote production will be sustained as vaccines help ease the COVID-19 coronavirus pandemic during 2021 but with some change back towards traditional workplace interaction.

Tech + Media Predictions 2021 - Part 2

The industry experienced futureshock head-on in 2020. The impact will take a long time to unwind but it’s already clear that some changes will be profound and not all of them bad. In part 2 we look at what sports and s…

2020 - The Year Of The Engineer

If we could have a “Year of the Engineer”, then I am firmly of the opinion that 2020 would be it. Lockdown has demonstrated unprecedented imagination, ingenuity and tenacity, especially for our engineering community.