IBC2018 Show Event Channel

Everything you need to know for the show and exhibitors.

Click here

Canon Launches 18-80 Compact Cine-Servo Zoom Lens

Canon has unveiled the CN-E18-80mm T4.4 L IS KAS S, a new Cinema EOS lens with cine-servo style functionality. Designed for videographers using large-format, single-sensor cameras, the lens strengthens Canon’s line of cine-servo lenses, following in the footsteps of the CN7x17 and CN20x50. The latest addition offers the perfect balance of operability with outstanding precision and quality, giving videographers the power to capture exceptional footage.

The CN-E18-80mm lens includes a servo engine which is powered via EF mount connectors, supporting hand-held shooting. Canon ialso launched the ZSG-C10, an optional dedicated zoom grip, ideal for use with hand-held rigs. Free of charge, Canon is also announcing today a firmware upgrade to the CN7x17 cine-servo lens, adding Dual Pixel CMOS AF, Push Auto Iris and one shot or continuous AF when used with Canon Cinema EOS C100 and C300 cameras.

Outstanding 4K optical performance

Based on Canon’s heritage in optical design and performance, the CN-E18-80mm T4.4 L IS KAS S is equipped with a resolving power that matches 4K. The  4.4x zoom ratio with stable T4.4 number maintained across the entire 18-80 mm zoom range from the center to the edges. With three Canon Image Stabilization modes, the lens ensures complete stability even during hand-held shooting. The CN-E18-80mm T4.4 L IS KAS S  has a nine blade diaphragm to give the much loved ‘bokeh’ look. Colour balance ,matches other Cinema EOS lenses.

The perfect companion for single-shooters

Weighing in at just 1.2kg, the CN-E18-80mm T4.4 L IS KAS S is Canon’s smallest and lightest cine-servo lens to date, providing instant benefits for mobile videographers, such as those shooting news and interviews. Its compact size and weight also means it can be used for drone-style shooting or in discreet or restricted positions. 

Users such as documentary and filmmakers are able to achieve maximum speed and responsiveness with seamless switching between auto and manual focusing and zoom. For those using a shoulder-style rig or shooting hand-held in challenging positions, the ZSG-C10  grip simply attaches to the side of the lens, offering simple integration and zoom management.

The lens features minimal focus breathing, thanks to the 3-group inner focus system. Users are able to quickly change focus without losing viewing angles, perfect for those capturing fast moving activity such as in adverts or corporate film.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Broadcast For IT - Part 12 - Lenses

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s, and in this art…

Articles You May Have Missed – June 20, 2018

Until now, 4K/UHD and high dynamic range (HDR), in many ways, has been little more than a science project, as manufacturers have struggled to convince production entities of the long-term practicality and viability. Fears of overly complex pipelines and…

Broadcast For IT - Part 11 - Sensors

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s, and in this art…

2018 NAB Show Highlights Complex State of the Industry

Following numerous private conversations and panel discussions at the recent 2018 NAB Show, it’s become clear that broadcasters are being challenged like never before to hold the line on CapEx spending while delivering more content across their linear platforms. Because o…

How to Be Effective as a One-Man Band

For years, I have written about the problems associated with trying to be a one-man band television reporter. Now, shooting alone has become the reality for many journalists. How does one balance so many disciplines at once and still do…