BPNet is a browser-based IP workflow management system which provides a software foundation for control of Broadcast Pix switchers.
Vendors are adopting different approaches to the same issue, namely, helping customers transition from SDI to IP workflows while ensuring that their customers stay within the vendor’s product environment but offering connectivity to third party IP tools. It’s a tricky juggling act. Broadcast Pix’ stab is called BPNet and its due later this year on all its production switchers Flint, Granite, Mica, and Roadie.
BPNet is a browser-based IP workflow management system which provides a software foundation for video, control and data.
BPNet-enabled switchers will support traditional SDI I/O as well as IP network input and streaming output options ASPEN, NDI, SMPTE 2022-6, and RTSP.
The system provides production control using traditional and custom software switcher panels connected locally or remotely via IP. It also provides access to a BPView multi viewer, as well as direct control of the latest generation IP cameras, decks and other devices.
BPNet further consolidates bi-directional data flow between BP switchers, clip and still stores, character generators, social media platforms, scoreboard information services, statistics and many third-party tools.
“BPNet provides easy connectivity to Broadcast Pix switchers,” says the company. “Users can see connected switchers from their browser and add content to the switcher or to Watch-Folders assigned to shows or projects. Content is automatically transcoded to ensure the correct file format is available when needed. BPNet can be set to automate backups, archiving and sharing procedures.”
The service, available as a free upgrade for Broadcast Pix customers, includes 25 GB of cloud storage at no cost, with additional storage available for purchase. The base plan includes unlimited sharing of stored content, transcoding to BP format, and automated show backup. Additional options are available for transcoding to other broadcast and Web codecs, publishing to YouTube, Facebook, and other JWplayer-enabled sites, distribution to FTP, quality control and offline archive support.
So pleased is Broadcast Pix with the development it just bought the Danish company, ioGates, which helped make it.
No financial details were disclosed.
Broadcast Pix CEO Kevin Prince said: “With the acquisition of ioGates and the release of BPNet, we are making it possible for that effortless orchestration, between people and systems, to exist without the constraints of time and place. ioGates gives Broadcast Pix a proven platform in the cloud. Together with our live production systems and video-over-IP knowledge, we are able to present our customers with a clear pathway to the next stage in efficient, cost-effective, and unbounded creative production.”
Founded in 2003, ioGates specialities include accelerated uploading times, instant frame-accurate video preview from the Web and two-factor authentication for secure sharing of content. Its software also enables automated video transcoding.
ioGates chief executive Jesper Andersen added: “Our goal is to enable digital media producers to create, manage and distribute content anytime, anywhere, using any platform. As a leader in the live production market, Broadcast Pix enables to us to bring our solution to a much wider audience.”
You might also like...
With fewer exhibits and smaller crowds, the 2022 NAB Show aisles were easier to navigate and exhibitors had more time to speak with visitors.
Many annual NAB Shows have become milestones in TV broadcasting history. The presence of the 2022 NAB Show marked the first Las Vegas NAB Show since 2019.
After two years of virtual gathering, broadcasters convening in person for this year’s NAB Show in Las Vegas will see a lot of new faces due to management and staff changes at the various vendors. One notable “new” figure will …
Philo T. Farnsworth’s reported first words upon seeing the first TV image, which happened to be transmitted wirelessly, were “There you are, electronic television!” Some 95 years later, TV broadcasters and viewers rely more on wireless electronics than ever.
With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing…