KRK Introduces the ROKIT 4 Compact Studio Monitor

KRK, a manufacturer of audio monitors for mixing and mastering, has introduced the smallest desktop monitor in its ROKIT line, the ROKIT 4.

KRK's ROKIT 4 G3 (Generation 3) powered studio monitor offers professional performance and accuracy for recording, mixing, mastering and playback. The system consists of a one-inch soft dome tweeter and four-inch glass-Aramid composite woofer.

The monitor delivers high frequencies up to 35kHz, vocal clarity and extended bass response. The proprietary bi-amped, class A/B amplifier grants SPL up to 100dB. The ROKIT waveguide is designed to ensure detailed imaging in the listening position.

The front-firing bass port reduces boundary coupling to allow flexible positioning in the room while the surface reduces diffraction distortion.

The ROKIT 4 is the most compact solution of the ROKIT series. It was designed for small desks that require big sound. It is available in black, white or silver.

There are multiple audio input connectors (XLR, ¼-inch and RCA) for universal connectivity in any studio environment. A factory-installed foam pad provides isolation between the speaker and surface.

The monitor handles a total power of 30 watts, high frequency power of 10 watts and a low frequency power of 20 watts, with peak SPL at 100 watts. Each monitor is priced at $139.50.

ROKIT 4 G3 rear panel

ROKIT 4 G3 rear panel

You might also like...

Audio Post For ‘Billions’ With Eric Hirsch & Gregg Swiatlowski At Goldcrest NY

The multi award winning team at Goldcrest share their creative insight and technique through an exploration of the subtle soundscape for Billions.

Podcast Studio Design: Getting The Room Right

Podcasting is an increasingly popular pastime in the U.S., with an estimated 120 million podcast listeners in 2021. Back in 2006, only 22 percent of the adult population was aware of podcasting. By 2021, this figure had risen to 78 percent. Podcasting is becoming an…

Broadcast Audio Workflow: Part 2 - Entertainment With An Audience

We continue our discussion of broadcast audio workflow with multi-award winner Robert Edwards. We look at the many challenges that come when a live audience is added to the broadcast mix.

Electricity: Part 7 - Lithium Batteries

Lithium batteries are all the rage on account of their low weight and high capacity. But how good are they really?

Cloud-Native Audio Mixers - Current Developments In Virtualized Broadcast Audio Mixing

As the wider broadcast industry picks up the pace with virtualized, cloud-native production systems we take a look at what audio vendors currently have available and what may be on the horizon.