TRNN Town Hall with Mark Steiner presenting and taking remote calls via Skype.
The Real News Network (TRNN), an online news network in Baltimore, recently deployed NewTek’s TalkShowvideo calling system to enhance its live shows with remote guest interviews.
As a completely donor-funded news station that doesn’t accept any government or corporate advertising dollars, TRNN heavily depends on technology to achieve its mission. As the network grew to produce four to five shows per day, the team began using a basic version of Skype via computer, but technical issues like frozen screens, inconsistent resolutions, and limited bandwidth were a constant headache, so Chris DeMillo, Studio Manager at TRNN, decided it was time for an upgrade.
Because they already had the NewTek TriCaster 8000 and 450, they looked first at NewTek’s TalkShow VS-100, the video calling production system designed for television studios and live event producers using Skype. DeMillo’s boss was skeptical because of their previous issues with Skype, so they did several tests using Zoom, which is another direct video link conference call service, and other tests using 4G phone data on a cell phone, just to see if the machine could put out a decent broadcast using some of the lowest quality bandwidth. They were impressed enough with the demo to buy one to add to their studio.
Unlike their old workflow, using this system gave them the ability to autocorrect color and white balance and set a bandwidth threshold. “When it drops below 640p resolution, it can go to a pre-shot photo you’ve taken of your guest,” says DeMillo. “It’s nice to have that versus having a weird frozen face or going black.”
Incorporating New Additions Into the Workflow
The interviews take place in the largest soundstage at TRNN, usually with the interviewer sitting in a virtual set (built into TriCaster) with a green screen background. TalkShow is used to bring in the interview subject via Skype. The interview subject can choose to use their home computer with their personal Skype. Video from the Sony HXR-NX5u cameras in the studio goes into the TriCaster 8000 or TriCaster 450.
DeMillo’s team uses Sony PMW300K1 for large-scale productions, Sony NEX-EA50 cameras in the field, and three small PTZ Sony EVI-H100S cameras in the studio in case people want to record themselves doing a podcast or radio show. It makes it possible to have just one person in the control room to record audio as well as operate a 3-camera shot.
In preparation for a show, a producer will call the guest to set up the date and time of the interview, and put it into the production schedule. 15-30 minutes before the interview, the interview guest is called to do a “tech check” to make sure their connection, lighting, and audio are good. If something isn’t right, there is time to adjust those things as much as possible before the show goes live.
DeMillo prefers to set the resolution at 640p, but occasionally has to lower it to 320p for guests who are international or don’t have a good connection to begin with. He aims to have the best resolution possible.
Sennheiser wireless G3 microphones are used in the studio, and Shure SM58 wired microphones are used for audience Q&A and in the field. Audio comes out from the TalkShow into a Mackie 1604 mixer, and Blackmagic Design converters/routers are used to communicate information between equipment. An Electro-Voice PA system is used for concerts held in the large studio.
Most interviews don’t require much work in post-production, as TRNN’s new equipment makes its workflow more streamlined by enabling preshow adjustments. Videos are easily posted on the TRNN website, YouTube, Roku, and the Comcast On Demand in the Baltimore region.
As soon as everything looks good and the sound isn’t jittery or broken up, the guest is transferred to the host who is in the green screen studio. The guest is patched through the earpiece and they begin the interview.
You might also like...
IP is delivering unprecedented flexibility and scalability for broadcasters. But there is a price to pay for these benefits, namely, the complexity of the system increases significantly as we add more video and audio over IP.
Aside from being the first Summer Olympics to be delayed a year due to a pandemic—shifting technical plans and causing strict work-arounds to comply with health restrictions—this year’s live coverage by NBCUniversal (NBCU) is noteworthy for its move …
TV equipment manufacturers are doing what broadcasters do best: Creatively helping each other work through a difficult technical challenge.
Internet Contribution For Broadcasters: Pt. 3 - Why Carriage Matters To Live Internet Video Delivery
On the internet, congestion and latency is added at the points at which carriers connect to each other. Understanding this will help you design a better quality video service, says Bernhard Pusch, Head of Global Internet Strategy at Telstra Corporation.
In Part 1, we looked at how the internet operates and the components that make it so effective. In this article, we consider the broadcast applications available and what it means to “connect to the internet”.