R&S to Upgrade Venice 4K Server Features at IBC

At IBC, Rohde & Schwarz DVS will introduce new features for its ingest and production server R&S VENICE. These will enable TV studios to optimize their workflows from ingest to studio playout and content distribution.

Rohde & Schwarz DVS will introduce new several important new features for its ingest and production server R&S VENICE. These will enable TV studios to optimize their workflows from ingest to studio playout and content distribution.

VENICE 4K which had its premiere at NAB in Las Vegas, helps TV studios establish file-based studio production workflows in 4K that resemble HD workflows in their simplicity. R&S VENICE 4K allows direct recording in 4K without any time-consuming stitching processes.

As the ingest and production server offers parallel generation of both 4K and HD content, it facilitates production until content is broadcast entirely in 4K. Moreover, R&S VENICE 4K supports a large variety of codecs including XAVC. This way, TV studios experience greater production output as they can adjust their workflows flexibly to the given circumstances – while at the same time being fully prepared to meet future production requirements. By the end of 2015 R&S VENICE 4K will also be available in a 2U chassis.

The entire feature set of R&S VENICE is suited even better to studio production. The VENICE View software is based on streaming technologies and provides multi-viewer functionality, without the need for additional HD-SDI cabling, delivering a comprehensive overview of all ingest, playout and transcoding channels.

The R&S VENICE Play GUI further enhances ease of use especially for studio playout. It offers quick access to all key functions even in hectic production scenarios such as during live shows and news broadcasts. Thanks to its clear and simultaneous display of multiple channels, operators can keep a parallel overview of channels for primary playout in an A/B layout as well as auxiliary channels for secondary playout – they can also control them reliably even under frantic live situations. As the usable VENICE channels are recognized automatically within the network, configuration is made easy and straightforward even under ever-changing production conditions.

With its channel-grouping feature targeted at multi-camera production, R&S VENICE offers parallel recording as well as frame-accurate starting and playout of up to four camera streams per system. Moreover, several R&S VENICE ingest and production servers can be combined with each other to increase the number of channels as needed.

Visit Rohde & Schwarz DVS at IBC 2015, in Hall 7 Stand 7.E25.

You might also like...

Hybrid CDN - Part 2

This is the second instalment of our deep dive into the rapid growth of OTT, high user expectations and the developments in hybrid systems which combine CDN with storage and distributed processing to meet demand.

Hybrid CDN - Part 1

Broadcasting video and audio has rapidly developed from the send-and-forget type transmission to the full duplex OTT and VOD models in recent years. The inherent bi-directional capabilities of IP networks have provided viewers with a whole load of new interactive…

With Easing Restrictions, Tech Companies Hoping For Quick Recovery

Over the past year, as broadcasters and production companies have expended great effort to reconfigure their workflows and develop new ways of working amid strict safety protocols, so too have the manufacturers of the technology and systems they rely on.

The Sponsors Perspective: How Does Flexible Access Change The Way Vizrt Serves Customers?

Flexible Access is our way of responding to customer needs we see in the market. At a high level, it is about putting our customer experience first and foremost. In these uncertain times, our customers need to produce more stories,…

Computer Security: Part 5 - Dual Bus Architecture

In the UK we have Oxford v Cambridge. In the USA it’s Princeton v Harvard. The only difference is that one is a boat race and the other is computer architecture race.