The d:fine headset design incorporates two cables—microphone and in-ear—that run parallel to give a neat and clean look.
DPA Microphones has introduced its new d:fine In-Ear Broadcast Headset Microphone, targeted at television hosts and guests that use in-ear monitors. The new addition to the company’s d:fine range combines the sound quality of a DPA microphone with a state-of-the-art -in-ear monitoring solution.
“By integrating a monitoring component into our d:fine headset design, we have succeeded in combining two parallel systems and creating an easy to use solution that eliminates the need for separate in-ear monitors and headset microphones," says DPA Product Manager Mikkel Nymand. "This solves an irritating problem that broadcast studio hosts and guests currently face of having two sets of components and wires to deal with. It also offers a solution that is simple to fit, comfortable to wear and unobtrusive for both the host and the viewer."
The new d:fine In-Ear Broadcast Headset Microphone is built on the same state-of-the-art capsules and mechanical design used in DPA’s d:fine range. With this new model, ear pads in two different sizes are included, and great care has been taken to ensure that there is no audio leakage between the in-ear drivers and the microphone capsule, which can be either omnidirectional or directional.
The unit incorporates two cables—microphone and in-ear—that run parallel to give a neat and clean look. A steel spring construction at the ear hook offers quick mounting around virtually any ear, while the cable to the integrated in-ear plug(s) can be lengthened or shortened to suit the user. Any excess cable can be wound up around the plug or placed behind the outer ear, while a cable steer at the headset mount controls the cable run down the neck. It is easy to adjust headset mount size and, by choosing between left and right ear orientation, it is even possible to give the broadcast host a “camera blind” side.
Nymand said with all of DPA’s d:fine Headset Microphones, repairs no longer require taking a mic out of commission because the range is designed with detachable cables that can be replaced immediately with a spare.
For the new d:fine In-Ear, DPA has incorporated a miniature MicroDot connector for the microphone and a mini-jack for the in-ear component. Adapters are available to fit most professional wireless beltpacks.
Several combinations are available; the easiest-to-fit Single-Ear Mount, Single In-Ear construction or DPA's Dual-Ear Mount with a Single In-Ear, which offers higher mounting safety but still leaves one ear free of a plug to preserve direct acoustical cues. There is also a Dual-Ear Mount with Dual In-Ear option for two-channel monitoring from producers or for stage monitoring for theatre actors and singers.
While DPA has chosen black for its microphone and in-ear cables, it offers a choice of non-reflecting black/silver for its in-ear plugs and black, brown or beige for the ear hooks and microphoneb booms.
DPA will be exhibiting at NAB 2015 in booth 6046
You might also like...
This is the second instalment of our extended article exploring the use of Microservices.
It should constantly be borne in mind that although digital audio is a form of data, those data represent an audio waveform and there are therefore some constraints on what can and cannot be done to the data without causing…
Flexible Access is our way of responding to customer needs we see in the market. At a high level, it is about putting our customer experience first and foremost. In these uncertain times, our customers need to produce more stories,…
Computer systems are driving forward broadcast innovation and the introduction of microservices is having a major impact on the way we think about software. This not only delivers improved productivity through more efficient workflow solutions for broadcasters, but also helps…
The peculiarities of the motion of planet Earth are responsible for much more than seasons and the midnight sun and it took a while before it was all figured out.