Japan’s J SPORTS Moves To Remote Production With LiveU

Renowned Japanese broadcaster J SPORTS, with its production partner Express, has selected LiveU’s multi-camera, remote production solution for all of Yokohama DeNA BayStars’ baseball home games this season. J SPORTS’ OTT service, J SPORTS On Demand, will show over 70 matches where LiveU’s technology will play a key role in enhancing the viewing experience.

2021 is the first year that J SPORTS has offered this live OTT service and it initially planned to use only the clean broadcast feed, adding commentary and graphics. However, working closely with Express, expanding the amount of content and increasing viewer engagement became a priority. Moving to remote production was also a long-held Express and J SPORTS ambition.

Kanji Kato, Technical Director, Express, said, “We really wanted to transmit multiple camera signals via mobile networks and, of course, it had to be extremely reliable. Originally, we were planning to send multiple camera feeds via Ethernet but demonstrations from LiveU proved to us that our original ambition was completely possible. They showed us the next level of remote production, with reliable tally light and additional audio functionality via the multi-camera LU800, facilitating bi-directional communications between the field staff and control room.”

The on-air clean feed (switched between multiple cameras) is sent from an OB unit at the ground via an LU800 along with two additional feeds – a wide shot of the ground and the score board. Commentary for this service is then added remotely at J SPORTS’ studio, while graphics and audio mixing is carried out by Express at its Tokyo studio, called Avenir-Hub. Additionally, a video return feed with graphics is sent back to the commentors so that they can see the ball, strike and out counts and can check the slow-motion effects.

Yojiro Tomihisa, Technical Manager, J SPORTS, said, “One of the main advantages of remote production is that we don’t have to send a big production crew to the site and it’s the same in terms of equipment. This is all done using IP, which was crucial for us. We are looking forward to deploying this very dependable LiveU technology on other productions and increasing the complexity of them. We are ready for the future!”

Kanji Kato, Express, added, “The LU800 and its multi-camera capabilities changed the way we looked at this and accelerated our move to remote production. Before we deployed this remote production system, we had to manage and arrange schedules for our crew, including travel time. That greatly reduced the time available to both our production crew and management team. LiveU’s remote production solution makes our lives much easier and at the end of the day we can make more, and even better, content.”

You might also like...

Shooting Apple TV Series ‘Constellation’ With Cinematographer Markus Förderer

We discuss the challenges of shooting the northern lights in the winter dusk and within the confines of a recreated International Space Station with cinematographer Markus Förderer.

Designing IP Broadcast Systems: Where Broadcast Meets IT

Broadcast and IT engineers have historically approached their professions from two different places, but as technology is more reliable, they are moving closer.

Audio At NAB 2024

The 2024 NAB Show will see the big names in audio production embrace and help to drive forward the next generation of software centric distributed production workflows and join the ‘cloud’ revolution. Exciting times for broadcast audio.

SD/HD/UHD & SDR/HDR Video Workflows At NAB 2024

Here is our run down of some of the technology at the 2024 NAB Show that eases the burden of achieving effective workflows that simultaneously support multiple production and delivery video formats.

Standards: Part 7 - ST 2110 - A Review Of The Current Standard

Of all of the broadcast standards it is perhaps SMPTE ST 2110 which has had the greatest impact on production & distribution infrastructure in recent years, but much has changed since it’s 2017 release.