​Lupo Expands Dayled Product Line

Brightline announced it is now shipping the new Dayled 1000 and 2000 Dual Color PRO LED Fresnels.

Designed for studio and location shoots, the new models offer variable color temperature and built-in DMX, and can be powered with mains or batteries.

With COB LEDs and exclusive True Color Technology, the new Dual Color PRO fixtures have a high CRI rating of 97. Both models provide variable color temperature from warm tungsten (2800K) to bright daylight (6500). The 1000 is equipped with a 110W single LED array that delivers 1000W output (tungsten equivalent), while the 2000 includes a 220W single LED array that delivers 2000W output.

A control panel with integrated LCD display on the side of each fixture makes it easy to adjust brightness, color temperature, effects, and DMX operations. Plus, a USB port can be used for firmware updates. Built-in effects include paparazzi (flash bulb), strobe, and lightning.

The back of each fixture includes a focus knob that adjusts the beam angle from 10-60 degrees, DMX input and through ports, battery connector (male three-pin XLR), and PowerCON ports to connect multiple Dual Color PRO fixtures for space and power savings. Barn doors are also included for additional light control.

“With variable color temperature as well as features for studio and location applications, Lupo’s new Dayled Fresnels provide a great deal of lighting flexibility,” explained Kathy Katz, Brightline managing partner. “When coupled with Brightline’s LED SeriesONE studio fixtures and our BL.16 long-throw LED spotlights, these new fixtures allow us to provide our customers with complete broadcast studio lighting solutions.” 

You might also like...

Improvements In Efficiencies And Performance Help Lights Shine For Better Video Production

This has been a year in which we all—reporters, producers and station engineers—had to learn the basics of good lighting, particularly the three-point setup pioneered by famed lighting inventor Ross Lowell for in-home studios. However, lighting fixtures and kit…

HDR: Part 29 - Promoting The Three-Dimensional Illusion

When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of w…

Olympian Effort: Tokyo 2020 Host Production Upgrades To UHD, IP And Cloud

Olympic Broadcasting Services (OBS) the host broadcaster for the Games was founded twenty years ago and has arguably gone through its hardest and most intense period of digital transformation for Tokyo 2020.

NBCU Decentralizes Resources To Produce And Distribute Olympic Games Live

Aside from being the first Summer Olympics to be delayed a year due to a pandemic—shifting technical plans and causing strict work-arounds to comply with health restrictions—this year’s live coverage by NBCUniversal (NBCU) is noteworthy for its move …

Low Orbit Satellites - The Space-Age Future Of Live Streaming Video

The launch of new low orbit satellites for global network coverage will have a significant impact on remote live streaming for broadcasters and webcasters. With the likes of Elon Musk’s SpaceX, Amazon’s Kuiper, or one of the other ven…