Mo-Sys Partner With VividQ For Next-Generation AR Displays

Mo-Sys has teamed up with VividQ, pioneers in computer-generated holography for next-generation augmented reality (AR) displays.

This allows 3D holographic projections to be placed precisely in real space, enabling users of future AR devices, like smart glasses, to explore virtual content in context with the natural environment.

Mo-Sys StarTracker is a proven and powerful camera tracking technology, widely used in television production and other creative environments for applications from virtual studios to realtime set extensions. It provides precise location for the camera in XYZ space, and with free rotation.

VividQ software for computer-generated holography is used in innovative display applications from AR wearables, to head-up displays. Holography - the holy grail of display technologies - relies on high-performance computation of complex light patterns to project realistic objects and scenes, for example in AR devices. VividQ generates holographic projections which, thanks to the precision location of Mo-Sys, can be displayed to the user at the correct place in the real environment. This is a major advance on today’s AR devices where flat (stereoscopic) objects are mismatched with the real world. By presenting holographic projections with depth, the user’s eyes can focus naturally as they scan the scene.

“The possibilities and applications of augmented reality in realtime devices are only just being explored,” said Michael Geissler, CEO of Mo-Sys Engineering. “We are at the cutting edge of camera tracking; VividQ is at the cutting edge of computer-generated holography, and we are excited to work together to bring some of these concepts to reality.”

Darran Milne, CEO of VividQ added “Our partnership with Mo-Sys is key to understanding the potential of computer-generated holography in future AR applications, developing experiences where virtual objects can blend seamlessly into the real world.”

You might also like...

Creative Analysis: Part 18 - Cinematographer Johnny Derango On Fatman

Possibly one of the last features to wrap before the global pandemic effectively shut down production was Fatman, a dark action comedy directed by Eshom and Ian Nelms and starring Mel Gibson as the kind of Santa Claus who would…

HDR: Part 21 - Creative Technology - The Size Of Light

Most people are aware that the amount of detail in a photograph is dependent on a few things. Assuming focus is right, it’s easy to assume it’s a combination of how well the lens was made and the…

Creative Analysis: Part 17 - DOP Simon Rowling On Legacy Of Lies

Some films languish in preproduction hell for years. For cinematographer Simon Rowling, though, only a matter of days elapsed between first discussing Legacy of Lies and flying out to begin location scouting. The production, which stars Scott Adkins as a…

HDR: Part 20 - DOPs: Do We Still Need Green?

With the recent advances in artificial intelligence, post-production rotoscope tools are now so good that some DOPs are asking if we still need to use green screen at all, or at least, in quite the same way. Suddenly, it seems…

Asia’s Golden Melody Awards Feature Stunning AR-Supported Performance

Television production these days is tricky enough without adding virtual elements like augmented reality (AR) graphics, but that’s exactly what Taipei-based production company Getop did for the live telecast of the 2020 Golden Melody Awards (GMA). The highly rated annual t…