The GFX100 and Ninja V create a large format camera system.
The Ninja V will record up to 4Kp30 12-bit Apple ProRes RAW video from the GFX100’s medium format CMOS sensor. This is said to make it the world’s first commercially available medium format RAW video shooting system available to buy.
The look of large format video has recently become very popular in Hollywood, with the ability to use high quality lenses with different technical characteristics. This feel can now be achieved more affordably with the GFX100 and Ninja V, and at the same time, fully harnessing the power of RAW.
“The resulting images have amazing depth, detail and the maximum latitude for post-production — optimal for HDR finishing or to give greater flexibility in SDR (Rec.709),” says Atomos CEO Jeromy Young. “Together, the GFX100 and Ninja V create a large format camera system that is intuitive to use and light enough to hand hold, place in tight corners or mount onto gimbals. TV dramas, indie films, corporate productions, documentaries and even motion pictures can now utilise the GFX100 and Ninja V to get the distinctive look that is set apart from regular full-frame shots.
“It continues to be our mission to democratize filmmaking, giving cinematographers the option to own a RAW shooting large sensor video camera that’s in a class of its own. Our HDR technology, combined with Fujifilm’s long history of color excellence and Apple’s ProRes RAW codec are a winning combination. I look forward to seeing films, TV shows and commercials shot with this amazing setup.”
The 5” 1000nit HDR high brightness display of the Ninja V allows users to view the GFX100 RAW signal in HDR in a choice of HLG and PQ (HDR10) formats. The monitor offers touchscreen access to tools like waveforms, magnify or engage peaking check focus for each angle and make any adjustments to get the perfect HDR or SDR shot.
As an alternative to RAW, the Ninja V can record 10-bit 422 ProRes and DNx video up to 4Kp30 from the HDMI output of the GFX100. For reliability and affordability, ProRes RAW or standard video files are recorded to AtomX SSDmini SATA drives in the Ninja V.
The Ninja V and RAW recording also opens up the camera to the wider Atomos ecosystem for enhanced on-set HDR and SDR monitoring. A video signal can be output from the Ninja V to the Atomos Sumo19, or soon-to-be-released Neon line of production monitors, for perfect HDR viewing by directors, clients, focus-pullers or anyone else who needs access to an accurate view on-set.
The GFX100 and Ninja V will gain the ability to record ProRes RAW at up to 4Kp30 via firmware update 2.01 from Fujifilm already available, and the free AtomOS 10.53 update for Ninja V is available now at the Atomos website.
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