CJP staff monitor the live stream.
CJP Broadcast has completed a video production and live streaming project for the semis and finals of the FA Cup. A complete system centred on a CJP Live Sports Production System captured content to supplement terrestrial and satellite coverage of the events.
CJP staff active at the matches included MD Chris Phillips supervising technical setup, James Ruddock operating as Technical Manager, Kieron Sharpe and Kieran Phillips providing AV rigging support, Rob Dyton as Production Director and Chris Hollier as Remote Camera Operator.
"Covid-19 restrictions meant the venue was unable to host the capacity crowds normally present at semi-finals and finals," Chris Phillips comments. "We were asked to augment the traditional broadcast coverage with behind-the-scenes content. This included manager reactions during the match, player interactions in the tunnel area and a focus on key international players. The resultant video would then be made available online for easy access by supporters during and after each match. Our role was to provide a complete production system plus an experienced installation and operations crew."
"A key part of the challenge was capturing content from 'red zone' areas such as the substitutes' bench and the technical control area. We provided four JVC cameras with motorised pan/tilt/zoom which were operated from our control base on the gantry in front of the press area. Two of the cameras were positioned in the tunnel. The other two were focused on the managers' and subs' benches. In addition to the robotic cameras, we had feeds from two Sony FS7 cameras provided by the host and operated by their own experienced freelancers, plus a JVC GY-HM660RE live streaming camcorder."
"The Streamstar iPX allowed us to record ISO-style feeds from the six cameras and make these accessible in 15-minute segments to remotely located video editors so they could start producing final edited content while the game was still in progress. We expanded the 1 terabyte of onboard video storage in the iPX with a 16 terabyte GB Labs F-8 Studio recorder using a 512 gigabyte Nitro SSD Layer for ingest while editing. Content for editing was accessed from the F-8 by four edit suites. The system also generated an H.264 RTMP live stream for practically instant publication on social media. An HD/SDI clean programme feed was also provided from our system to the host broadcaster for use as an optional contribution feed within the terrestrial and satellite transmission."
Available in several versions supporting up to eight camera inputs, the CJP Live Sports Production System provides a wide range production and streaming capabilities in an easily transportable unit. Its facilities include ISO recording, four-layer graphics, transitions, real-time replay, slow-motion replay, on-the-fly highlights creation, advert insertion, clip insertion and audio mixing.
Operation is via a touch screen and keyboard with the option of an external joystick for pan/tilt/zoom camera control. Full multiscreen monitoring facilities are included with the option of a second screen for commentator positions. An H.264 live stream can be fed directly to a TV station or third-party OB control suite via a 10 megabits per second link or via 4G mobile, with the ability to simulcast to multiple platforms and in-stadium screens. Up to 96 terabytes of RAID5 storage can also be attached.
You might also like...
Founded in 2001, Blackmagic Design is based in Melbourne, Australia, with offices in Fremont and Burbank, Calif. in the U.S., as well as Manchester, England, and Amsterdam, The Netherlands.
LL35 is a “If you build it, they will come” attempt to attract the young gaming community to live streaming and TV content.
With fewer exhibits and smaller crowds, the 2022 NAB Show aisles were easier to navigate and exhibitors had more time to speak with visitors.
Many annual NAB Shows have become milestones in TV broadcasting history. The presence of the 2022 NAB Show marked the first Las Vegas NAB Show since 2019.
After two years of virtual gathering, broadcasters convening in person for this year’s NAB Show in Las Vegas will see a lot of new faces due to management and staff changes at the various vendors. One notable “new” figure will …