The MMA-A pre-amp combined with any DPA microphone can broadcast and record crystal clear audio to and from anywhere in the world.
With many activities now been completed remotely, TV programs are now being streamed to (and from) living rooms. As a result, DPA Microphones said it has seen a surge in demand for its MMA-A Digital Audio Interface.
Designed for live and mobile productions and billed as a “sound engineer in your pocket,” DPA’s MMA-A pre-amp combined with any DPA microphone can broadcast and record crystal clear audio to and from anywhere in the world.
An exclusive DPA app, available for download from the Apple App store, provides specialized functionalities. This includes the ability to store gain settings and low-cut filters for ongoing and future personalized use in dedicated presets. The simple-to-use device can also be used in an app-independent format with existing recording programs on a Mac or PC, making it easily adaptable to any streaming, broadcasting or recording application.
“I love adapting to the different ways people consume music,” says singer Marc Martel, the acclaimed voice of Freddy Mercury in 2018’s Bohemian Rhapsody, who uses the device with DPA’s 4099 Instrument and 6061 Subminiature Mics. “I shouldn’t have to sacrifice good audio when I’m on the move or away from my studio. With the MMA-A, DPA has made that possible. It is not only discrete and very portable, it also sounds drastically better than the microphone on my phone.”
DPA’s MMA-A Digital Audio Interface is a high-quality, two-channel microphone preamp and A/D converter offering mono, dual and stereo capabilities. When used with any DPA microphone, the MMA-A makes for the ultimate professional setup, a quality only previously available in the studio. “DPA has set the standard in quality for iOS audio,” says Producer and Engineer Mark Hornsby.
In addition to her own recording projects, Grammy-nominated Recording Engineer Mary Mazurek has been using DPA for distance teaching her Columbia College students.
“Since we began to shelter-in-place in mid-March, I have been recording lectures for my audio production students, as well as conducting virtual classes and meetings,” she explains. “To do this, I have been using the DPA 4088 Headset microphone with the MMA-A interface. It’s an extremely high-quality yet simple setup. My computer sees it as a core device, so there are no additional drivers to download and install. I can also very easily connect it to my iPhone and record audio with DPA sound.”
SoCal Productions’ Director of Business Development Brad Williams recently used the MMA-A audio interface for a variety of social media projects and found, “it was easy to use and sounds amazing. We highly recommend everyone check out the MMA-A audio interface from DPA for any upcoming projects. You won’t be disappointed.”
At New Hope Community Church in Hope, PA, Lead Pastor Chuck Wilson is using the MMA-A with DPA’s 4066 and 6060 lavaliers to produce remote sermons. The praise band, which happens to be comprised entirely of members of one family, uses the same setup to record songs for the sermons, as well as for posting to YouTube.
DPA has also incorporated the MMA-A audio interface, along with its 6000 Series lavaliers and 4098 Shotgun mics, into the workflows for the company’s Facebook Live events. These include webinars, such as the recent MMA-A product overview, and interviews with industry pros, who also each receive a DPA mic and MMA-A setup for the production.
Among the interviewees was Daniel Rivera, technical director, FOH, post-production engineer and HOW specialist at Meyer Sound, who says the MMA-A is: “Perfect for interview-style podcasting with two mics. It allows you to quickly have a conversation and record audio at a very high level without a ton of gear. I love how easy it was, just pop it in your phone and put on the mic.”
You might also like...
Strategies for capturing immersive audio for scene and object-based audio.
Development of new technology and moving to the newly available 5GHz spectrum continue to expand the creative and technical possibilities for audio across live performance and broadcast productions.
As broadcasters continue to differentiate themselves through live programing and events, intercom is gaining more influence now than ever. This is especially true for large arena events where mobile crews demand the freedom of wireless connectivity. But as RF technology…
Every three to five years, government delegations from around the globe gather at the Radiocommunication Assembly (RA) and World Radiocommunication Conference (WRC) conducted by the International Telecommunications Union (ITU) — the United Nations (U.N.) specialized agency for information and communication t…
The BBC science fiction series Doctor Who is no stranger to controversy and general media attention. From its beginnings in the 1960s through to the 1980s, it has been called too scary - apparently causing people to watch from behind…