The ENCO system handles all FISM TV automation, including scheduling of live segments and breaks, as well as pre-recorded content playout.
Media Operations Manager and ClipFire solutions streamline workflows and bolster reliability for “post-cable” TV channel.
OTT and online television network FISM TV delivers edgy and informative Christian television content for cable-cutting audiences. Running into limitations of its initial scheduling and playout solutions, the growing channel turned to the ENCO Systems Media Operations Manager (MOM) television automation and integrated channel playout platform and ClipFire instant video playout system from ENCO to streamline and solidify their operations.
The cornerstone of FISM TV is the nationally syndicated radio and TV program “Financial Issues with Dan Celia.” Soft-launched with a handful of shows, FISM TV has been rolling out an expanded mix of original and syndicated programming. FISM TV features preaching and teaching, news, financial, business and documentary content and is available on a wide range of platforms including Roku, Amazon Fire TV, YouTube, Android and iOS apps, and online at www.fism.tv.
FISM selected a playout and scheduling system from a different vendor when it began building out its television operations in 2016, but soon found themselves needing a more sophisticated and better-automated solution.
“We were happy with it for our initial needs such as basic scheduling, but we had to do many things manually, and we outgrew its limited capabilities,” said Krunti “Kae” Hester, Senior Producer and Engineer at FISM TV. “We then tried a cloud-based channel playout service, but it proved to be a poor fit for our needs. It couldn’t provide the speed we needed for uploading shows or changing spots out, and it required multiple steps for things we needed to do quickly.”
Having successfully used ENCO’s DAD automation system for their radio programming for many years, FISM researched its television counterpart and found it to be an equally great fit for their needs. “We purchased MOM in May 2019, and it has proven to be superb for our workflow, enabling us to do exactly what we need very quickly while delivering the same rock-solid reliability we knew from DAD.”
The ENCO system now handles all automation of FISM TV, including scheduling of live segments and breaks, as well as playout of pre-recorded content, commercials, and bumpers. Live programming from the FISM TV studio is fed to MOM from a NewTek TriCaster production switcher. For file-based content, the ENCO platform is connected to a network-attached storage (NAS) system. Users in different locations can remotely access the system to upload or replace files, and the ENCO DropBox utility automatically adds them to the media library.
“MOM’s Presenter on-air interface is very visual, letting us see quickly and clearly where all our elements are and what time they’re going to play,” said Hester. “The system’s approach to replacing cuts also saves us a lot of valuable time. Rather than needing to access the playlist, we can simply change the files assigned to those cut numbers.”
“We do many show replays when our host is out,” he continued. “We can simply replace the existing cuts from our originally-defined live segments, and the system will play the replay. We can also assign key overlays that say ‘Previously Recorded’ to the existing cut numbers in the original playlist, without needing to individually put the key on every single clip or segment.”
FISM TV was so satisfied with the MOM system that they recently added ENCO’s ClipFire to improve instant clip playout during their live productions, feeding multiple outputs into their TriCaster switcher. “The live presentation software we had been using for clip playout really wasn’t designed for what we needed to do,” explained Hester. “Playout wasn’t consistently reliable, and we were encountering delays or visible issues. ClipFire has been far more stable, and since it shares the same core interface with MOM, there was no learning curve.”
Hester similarly lauds the interface consistency between all of ENCO’s offerings as being beneficial as FISM TV’s operations and staff grow. “With DAD, MOM and ClipFire all having consistent user experiences, if somebody knows one of the systems, they’re able to operate the others too. It becomes easy for our team to know the systems inside and out, and they will be able to do more with each of those individual solutions.”
Most importantly, switching to ENCO MOM and ClipFire has given FISM TV the improved dependability and operational improvements they sought. “Overall, the ENCO platform has proven very valuable to us,” concluded Hester. “We can count on its reliability, and its efficient workflow enables us to quickly do what we need to do.”
You might also like...
Program delivery to mobile devices and smart televisions has fueled the growth for internet delivery. But one of the challenges broadcasters and media content providers face is that the internet was never originally designed to stream large amounts of video…
Monitoring has always been the engineers’ best friend as it turns apparent chaos into order and helps us understand what is going on deep inside a system to deliver high-quality pictures and sound. As OTT continues to play a more p…
Gamma is a topic that pervades almost all forms of image portrayal, including film, television and computers. Gamma has become a tradition, which means that its origins are not understood, and it is not questioned. Perhaps it is time that…
Playout automation has been enabling fewer people to control more channels for decades but we’re not quite at the point where human interaction can be eliminated altogether. Since most linear broadcasters will either move to a software-based deployment for t…
The global lockdowns have come just too soon for 5G mobile services to help mitigate disruption to production and content creation.