The latest in the PTX series (Model 1L left, Model 2 right) allows expanded compatibility with wider and heavier camera/lens combinations.
Company adds to its spectrum of production, playback and streaming platforms.
RUSHWORKS recently introduced the new PTX Model 1L PanTilt head that includes a more powerful tilt motor and a larger L-shaped tilt platform for cameras including DSLR and mirrorless bodies like the Sony Alpha series and the versatile RX10 IV “bridge” camera with a 25x optical zoom lens.
Like the previous PTX Model 1, the Model 1L can be controlled using RS-422 VISCA devices as well as DMX hardware and software. It includes connections for cameras that can be controlled using RS-422, RS-232, RS-485, LANC and Panasonic REMOTE (2-wire) communications.
The companion BABYZOOMER kit servo zoom control for PTX Model 1L and Model 2 allows operators to use a wide range of non-power zoom lenses from several manufacturers on the cameras of their choice. The kit also works well with RUSHWORKS PTX Model 2 for larger cameras like the URSA Mini, Canon, and many more.
BABYZOOMER is particularly useful with the Blackmagic Design Micro Studio Camera 4K that needs light levels achieved with apertures of f2.8 and below. RUSHWORKS’ camera control software also interfaces via IP with the ATEM Production Studio, providing automatic input selection and Preview/Program transition from the touch-screen user interface.
The company also announced shipment of RUSHDOLLY, a new simple-to-use interface with PTZ centering for both studio and remote operations. A mounted PTZ camera can automatically stay centered on the object or person in the shot as the dolly travels from the Start to the Stop position.
The small and lightweight RUSHDOLLY is now fully integrated with RUSHWORKS VDESK, REMO and Ctrl+R Production Systems. It features a new, simple interface that supports the creation of up to eight static or motion presets with sophisticated ramping and preset delay parameters.
RUSHPROMPTER downloadable prompting software is now available for the budget conscious. It includes the basic features people want and need for script creation and prompting. These include RTF and TXT creation, export and import, find and replace, real-time font size adjustment, variable line spacing, and individual character control of bold, italics, underline, colorize, and highlighting.
RUSHWORKS also created a lightweight, inexpensive prompting stand that supports one or two 12” 16:9 monitors for displaying the prompter text as well as any video switcher program output.
RUSHWORKS’ standard REMO NDI system includes everything necessary for quick multi-camera set-up for remote production, recording and streaming. The components nestle in two ruggedized travel cases with wheels and extendable handle. REMO NDI, based on RUSHWORKS popular REMO remote production system, is powered by an All-In-One computer with 24” touchscreen and blazing fast i9 processor operating on Windows 10 Pro with 1TB SSD storage. It includes the RUSHWORKS custom shortcut keyboard, six-button Hall-effect joystick, an eight-port PoE GigE switch, and two (2) NDI PTZ cameras with 30x optical zoom lenses.
The software, which also powers RUSHWORKS VDESK and Ctrl+R solutions, includes a video and audio mixer with transitions, PiP and double-box effects and Chroma-key. It features a fully searchable File Browser for all media, and the ability to create multiple playlists for different events. It supports up to four NDI inputs and one NDI output, records the Program, and can output NDI and stream to popular sites such as Facebook Live and YouTube Live.
“NDI connectivity has transformed traditional wiring requirements into a few CAT5 cables that carry video, audio, PTZ camera protocols and power,” said Rush Beesley, RUSHWORKS president. “We put more power and functionality into a couple of cases than you’ll find in most OB (Outside Broadcast) vans at a fraction of the size, cost and operational complexity.”
You might also like...
Gamma is a topic that pervades almost all forms of image portrayal, including film, television and computers. Gamma has become a tradition, which means that its origins are not understood, and it is not questioned. Perhaps it is time that…
Glasgow in December is a place and a time with a particular look, and The Nest is a production which enthusiastically embraces that aesthetic. Broadcast in the UK beginning in March 2020, it was produced for the BBC by Studio Lambert…
The current social and medical situation with lockdowns and distancing is unleashing new ideas at local TV stations. Some will become the new normal.
It’s one thing to be confronted by a big pile of technology and to be confused by it. It’s another to know something about that technology and conclude that things could be a lot simpler than they are. Tha…
It’s all very well reading all this theory about colorimetry, but what can be done in practice? First of all, it is necessary to consider that imaging, be it still or moving, is a creative process that relies totally o…