Brightline LED Lights Used For Black News Channel

Brightline has announced that Black News Channel, which launched on Feb. 10 and is the USA’s only African American news network, features a news set lit with Brightline L1.2 and L1.4 SeriesONE LED soft light fixtures. 

Based in Tallahassee, Fla., Black News Channel (BNC) is available on Spectrum, Xfinity X-1 and Dish Network, and is expected to reach more than 100 million homes in the near future with additional distribution partners.

Designed by Devlin Design Group in Scottsdale, Ariz., the main set is about 2,000 square feet with a lighting grid outfitted with almost 70 Brightline lights. The centerpiece of the set is a news desk bookended with vertical LED screens.

Two large LED video walls are located on either side of the news desk, along with a small interview set to one side. RGB lighting elements, which required extensive DMX programming, are positioned across the set, so the look of the newscast can be changed instantly.

Kenny Elcock, director of engineering and operations for BNC, said the concept behind the set was to “create a cultural experience for our viewers and still maintain a network quality.”

As a startup news organization offering specific content, BNC needed a set that would allow multiple shot setups within a relatively small space. According to Elcock, response to the set has been “overwhelmingly favorable.”

Lighting designer Bill Holshevnikoff developed the lighting for the news set as well as the channel’s green screen virtual studio, a separate space equipped with about 20 L1.2 and L1.4 fixtures. As in many of today’s news sets, the RGB lighting elements – including hanging set pieces, walkways and video wall backlights – created some talent lighting challenges.

“They wanted a very colorful, RGB-driven set,” said Holshevnikoff. “When that happens, you’ve got to keep all your lighting for talent off the RGB elements or the color won’t pop. You really have to work hard to control that spill light. Brightline has great control options on their fixtures, so you can make sure you’re not spilling light on the RGB elements and spoiling the color.”

Another challenge BNC faced was providing consistent lighting for the variety of skin tones of the on-screen talent. “Lighting people of color is a challenge,” Elcock noted, “but because we chose right, we’ve been able to overcome all those challenges. Brightline was a perfect fit.”

For general task lighting in the newsroom, BNC is using Flex-T LED lights that are pendant mounted from the ceiling via custom brackets. The low-voltage Flex-T fixtures are controlled via DMX through wall stations.  

You might also like...

Ashley Xu - Crossing The Divide Between Creating For Social Media And Traditional Professional Media

Ashley Xu blew up on social media when she started making ‘thirst traps’ (adverts) in her college dorm. Check them out, you may be surprised by just how good they are. It did not take long for major brands to see…

HDR: Part 7 - LEDs - For Better For Worse

If we could get lights capable of full color mixing at the same price as conventional white-only ones, would we?

Creating The Look & Feel For Netflix Film ‘Purple Hearts’ With Cinematographer Matt Sakatani Roe

Matt Sakatani Roe shares his experiences shooting the Netflix film ‘Purple Hearts’, staying hands on with the camera, staying close to the characters and leveraging natural light.

HDR: Part 6 - PQ And HLQ Cinematography

Like a lot of new ideas in film and TV, high dynamic range pictures are easy to like. The fear is that they’re far harder to create. In reality, HDR isn’t necessarily a huge burden, certainly not in the…

Creating The Look & Feel For Netflix Series ‘Mo’ With Cinematographer Timothy M Burton

Timothy Burton shares his insight into how the Netflix series ‘Mo’ tackles a potentially difficult subject with humour and style, with a look and feel that captures the heat of its location and pace of its narrative.