LiveU Helps Shine TV Sparkle

Leading UK production company relies on LiveU to create workflows that provide producers with the most sophisticated storytelling tools.

After the success of the first series of The Heist, Sky has commissioned a second series from leading UK production company Shine TV. Shine depends on LiveU to create an innovative production gallery, as well capturing onscreen footage, with the company also deploying LiveU to create a flexible nationwide filming and communications system for its series, Hunted and Celebrity Hunted. LiveU’s UK partner Garland Partners oversaw technology supply and provided support.

Production of this year’s series of The Heist took place in and around Alnwick, Northumberland, UK, and it differed in two main ways from the first. It used HEVC via five LU600 units and five LU300s, and increased the use of LiveU’s smartphone app LU-Smart, with a 30% growth in content captured using this technology.

The Heist’s unique production challenges include giving the producer/directors – or storytellers – the ability to see what the main camera teams are shooting while also being able to see what the ‘thieves’ are up to in order to tell the best story possible. As well as the low-res feeds from the main cameras, the thieves used mobile phones and the LU-Smart app to send footage back to the low-res production gallery with that footage also stored on the phones for use in the show.

Executive Producer Tom Hutchings at Shine TV, says, “We were excited to see what difference HEVC made and it was simply brilliant. The images were crisp and clear even at 1Mbit/s; we were very impressed. Using LiveU to create a low-res production gallery to allow the storytellers to understand the action as it unfolds, and to be able to communicate easily with all parties, was essential to the filming of this second series and using HEVC was a significant benefit.”

Increasing the number of phones used with the LU-Smart app also enhanced the storytelling. As Hutchings explains, it was easy for the thieves to open up the app and film and it meant that producer/directors could keep track of what they were filming and how they were filming it. The thieves could easily be communicated with, reducing the editorial risk while maximising the remote production elements and making sure that the most engaging and dramatic story could be told.

Shine TV also used LiveU very successfully in last year’s series 3 of Celebrity Hunted by placing an LU600 HEVC in a helicopter alongside a Cineflex gimble on the front, with the feed from the former fed into the LU600. This was combined with the audio from the hunter’s microphone in the helicopter and by using the full bandwidth possible, Shine achieved what Hutchings describes as “amazing picture quality from the air” with HEVC again bringing a real improvement. An audio feed was also sent back to the helicopter creating a nationwide comms system.

Hutchings says, “Having used it like that four times, not once did it drop out, which is truly impressive given the use. As we predicted after using LiveU on the first series of The Heist, their technology has changed the way that we think about key aspects of productions. It really has benefited us in multiple ways and the way that their technology keeps evolving is highly encouraging too. We really believe that this is the future in many ways.”

Paul Shepherd, Regional Sales Director with LiveU, said, “It’s great to see a customer expand its use of our technology after it has enabled them to work in different, innovative ways to create such ground-breaking programming. It’s very pleasing that our implementation of HEVC encoding is also allowing Shine TV to reap such impressive real-world benefits alongside its expanded use of LU-Smart.”

You might also like...

Color and Colorimetry – Part 10

Since its adoption for NTSC, essentially every subsequent electronic distribution means for color images has relied on color differences, making it a topic of some importance.

Making Remote Mainstream: Part 1 - Understanding The Benefits

Recent international events have overtaken normality causing us to take an even closer look at how we make television. Physical isolation is greatly accelerating our interest in Remote Production, REMI and At-Home working, and this is more important now than…

NAB 2020 Will Not Be Rescheduled; NAB Express To Begin Online in April

NAB 2020 will not be rescheduled this year, the NAB has announced. Instead, the organization will begin NAB Express in April, an online initiative, and will enhance the NAB Show New York at the end of the year with additional programs…

In Video Production, Lighting Is Where Science Meets Art

If there is a departure point from science to art in video production, it’s the control and quality of light. Creative manipulation of light can generate stunning images from an iPhone, while poor lighting can cripple even the most…

Creating A Compact LED Light Kit For Video Production

With the advent of tiny battery-operated LED lighting, an extraordinary collection of creative lighting tools have been miniaturized and can now be carried in a small shoulder bag by videographers. Here’s a look at how to use such a k…