Marshall Refreshes HD POV Camera Line

Marshall Electronics has developed its next generation of high definition POV cameras that improve upon nearly every feature of its existing lineup. The current line of Marshall POV cameras are now used for a wide range of professional applications; from broadcast to remote education, telemedicine and remote research analysis, as well as streaming worship services, live event and reality television production.

In adding new features and functionality, Marshall collaborated directly with integrators to develop four new POV cameras. The new models enable field-upgradable firmware updates as new features are added.

The new model numbers include the CV503, the CV506, the CV344 and the CV346 and support all frame rates in each model. In addition, newly added stereo audio inputs and 23.98 fps for TV and cinema production is now standard on all models. The upgraded POV camera line also features a new body style with locking I/O connections, and the addition of white clip and pedestal control with remote image adjustment capability.

Like its predecessors, the new Marshall POV cameras feature industry-leading low power consumption and ultra-low light technology to offer the lowest noise ratio on the market today, allowing users to capture sharp, vivid color images in all sorts of light conditions. They also continue to offer focal length and field-of-view flexibility with interchangeable lenses, remote control over RS485, and the convenience of full-size 3G/HD-SDI and HDMI outputs to maintain broadcast-level standards for POV camera applications.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Weather Channel Uses Immersive Mixed Reality to Educate Viewers About the Dangers From Winter Ice

In their latest hyper-realistic VR weather warning, The Weather Channel helps viewers better understand the potential dangers created by ice storms.

TV Director Treats Super Bowl Telecast Like Any Other Game

Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his d…

​Super Bowl LIII: Intel’s True View Ready for Kickoff

The Intel True View allows a production team to recreate selected clips in 3D from any vantage point in a stadium or even from a player’s perspective.

Super Bowl LIII Set To Dazzle On CBS

This year’s Super Bowl LIII telecast on CBS will be produced and broadcast into millions of living rooms by employing the usual plethora of traditional live production equipment, along with a few wiz bang additions like 4K UHD and a…

“Orbital Redux” Soars in Live Video Production

Last Fall, “Orbital Redux” broke new ground for streaming entertainment as a live, scripted multi-episode sci-fi drama in which the audience determined the outcome of the action.