The PBS show has moved to a new venue at the base of Monteagle Mountain, known as The Caverns and located 80 miles outside of Nashville.
TNDV: Television will once again serve as the exclusive mobile production service provider for the ninth season of the nationally syndicated PBS program “Bluegrass Underground.” The show has moved to a new venue at the base of Monteagle Mountain, known as “The Caverns” and located 80 miles outside of Nashville, gives TNDV a permanent and efficient infrastructure to optimize production capabilities, labor and costs.
For the past six seasons, TNDV has provided all equipment and technical crew to support video and audio production services from Cumberland Caverns, a challenging location that lacked a permanent infrastructure. Like the previous venue, The Caverns is a naturally occurring underground cave structure located well below sea level. The new venue removes the need to set up and tear down for each performance thanks to a fixed infrastructure built to support video, audio and lighting systems. The Caverns also provides a permanent power infrastructure that eliminates generators and expensive fuel costs.
Nic Dugger, President and Owner, TNDV: Television, said they have permanently installed single-mode fiber in the new venue, which eliminates the labor of running nearly 1,000 feet of cable from the underground facility to our truck parked outside the cave for each performance. The new space also includes permanent high-voltage power onsite for its mobile production trucks to run off.
Production company TNDV will continue to bring its “Aspiration” truck to produce the “Bluegrass Underground” performances.
TNDV will continue to bring its “Aspiration” truck to Bluegrass Underground performances, which this season includes, Steve Earle, The Devil Makes Three and Keb’ Mo’ among other globally recognized musicians. The TNDV team will use up to eight Hitachi SK-HD1200 cameras for native 1080p content acquisition, and has upgraded video production capabilities on the truck with a Grass Valley Kayenne 4 M/E switcher. AJA Video Systems KiPro recorders preserve and protect all video content, which TNDV sends to external post-production services following color correction.
Audio production infrastructure includes a Soundcraft Vi3000 mixer and ProTools multitrack recording, with Sound Devices Pix270 recorders for redundancy – just one of several protective measures TNDV has built into the infrastructure.
“We opted for two fibers to move audio from the stage from the truck, which provides a main and backup transport stream for 64 channels of uncompressed audio,” said Dugger. “We’re using these the same strategy to move video feeds not only to the truck but to other positions around the stage, including the lighting director’s desk and backstage monitors. The overall environment inside The Caverns is far more production-friendly, and provides with a much greater level of freedom and flexibility.”
Production for Season Nine is currently underway. Bluegrass Underground currently airs on more than 300 TV stations in the national PBS system as well as a large number of radio stations, with a flagship weekly broadcast on Nashville station WSM-AM, home of “The Grand Ole Opry” (the world’s longest running radio program).
You might also like...
OTA (over-the-air) broadcasting has long-been considered an efficient way to reach very large audiences. As OTT (over-the-top) streaming grows there are concerns that we are going backwards in our levels of efficiency, which is not what we need to do…
Designing and building a production control room means different things to different people and is often accomplished in a myriad of ways.
Telstra helps customers span the globe. Offering a myriad of content delivery, production and playout services, Telstra Broadcast Services allows businesses, governments, communities and individuals to connect and expand their business across the globe in the most cost-effective way.
We are told that in the future all cars will be electrically powered. It is therefore quite natural that a broadcaster should consider whether outside broadcast vehicles might follow suit.
IP has succeeded in abstracting away the media essence from the underlying transport stream, and in doing so is providing scalable and dynamic solutions that are facilitated through cloud technologies and software.