Musician-Producer Steve Balbi Uses Sony High Res Mics For “Spooky” Recordings

Over their careers musicians, producers and engineers can work with many different makes and models of equipment but tend to have preferences. Australian singer-songwriter, composer, producer and performer Steve Balbi has in recent years developed a predilection for Sony high resolution microphones, which he has used on his own recordings and those of other artists he’s worked with. Later this year he’ll test mics from the 100 Series further when he uses them to record his appearance at The Big Red Bash in Birdsville, Queensland.

Balbi came to prominence with the 1980s Aussie rockers Noiseworks, after which he formed the psychedelic pop duo and production team Electric Hippies with band mate Justin Stanley. Since the late 90s he has worked with various artists and groups, including David Bowie, Jenny Morris and Move Trees. He released his first solo album in 2003 and continues to record and perform in his own right as well as being lead singer of the reformed new wave group Mi-Sex.

Recent projects, such as Balbi's solo work (including the single Modern Love), an orchestral project that was the theme for Fox TV's cricket coverage, new recordings by the Electric Hippies and production work for Glenn Shorrock, have involved Sony high resolution mics. Balbi explains that this came out of a meeting with David Green, professional product manager for Sony Australia and New Zealand.

"David was aware of my work as a producer, and as a performer as well I suspect, so he approached me at a show one night," Balbi explains. "We got to talking about recording, of course. Recognising that I'm an inherently instinctual artist - for me recording has to be all about feel and aesthetic - he became curious to know what I would think about the Sony 100 Series high res microphones."

Sony C-100 high res mic

Sony C-100 high res mic

Because he was looking for what he describes as something different and unconventional, Balbi decided to use two pairs of C-100 side address, dual diaphragm mics and a pair of end address pencil condenser models for upcoming recordings. "At the time I was doing what I call a low-fi sounding track," he says, "so I used the C-100 on the vocal. It delivered an amazing effect, to have the vocal so crystal clear [and] almost sounding like the voice was being sung at point blank to my ear."

The pencil room mics were used on drums and as a second mic for acoustic guitar, as well as other instruments. "The pencil condensers, both the cardioid and omnis, sound sublime on piano, so I'm really looking forward to recording strings in the next few weeks as I know they will sound amazing," Balbi says. "These mics have a strange feel to them, almost spooky. These mics give more highs and lows, which is odd at first, then, after a while, it is just so beautiful."

Balbi will be using Sony 100 Series mics to record his performance at the Big Red Bash festival, which takes places in the outback of Queensland, Australia from 16 to 18 July.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Essential Guide: Immersive Audio Pt 3 - Immersive Audio Objects

Immersive audio transforms the listening environment to deliver a mesmerizing and captivating experience for a wide range of audiences and expansive group of genres.

Essential Guide:  Immersive Audio Pt 2 - Immersive Audio Compatibility

Immersive audio has the great potential to transform our human listening experience, captivate our imagination, and inspire our inventiveness.

Essential Guide:  Immersive Audio Pt 1 - An Immersive Audio Primer

Part one of this four-part series introduces immersive audio, the terminology used, the standards adopted, and the key principles that make it work.

Doctor Who And The Art Of Microphones

The BBC science fiction series Doctor Who is no stranger to controversy and general media attention. From its beginnings in the 1960s through to the 1980s, it has been called too scary - apparently causing people to watch from behind…

Broadcast For IT - Part 15 - Digital Audio

Audio is arguably the most complex aspect of broadcast television. The human auditory systems are extremely sensitive to distortion and noise. For IT engineers to progress in broadcast television they must understand the sampling rates and formats of sound, and…