Chandler Limited, the only company authorized to develop, manufacture and market EMI/Abbey Road equipment, has introduced the TG Microphone to its historic microphone lineup.
Conceived by Chandler Limited founder and chief designer, Wade Goeke, the TG Microphone — following the mold of the REDD Microphone — is unique in design, functionality and sound. The TG Microphone isn’t a clone of any other microphone.
The TG Microphone is a solid-state, large diaphragm condenser microphone, featuring — as the name implies — the legendary TG sound, a ‘Dual Tone’ voicing system and on-board NAB/IEC “Tape Equalizer” facility, re-purposed from historic EMI TG12410 transfer (mastering) consoles and re-engineered for microphone duties.
While TG Microphone’s historic TG color comes from its incorporation of three TG amplifiers, its ‘larger than solid-state’ sonics are enabled by its reliance on a dedicated power supply.
The TG Microphone features selectable cardioid and omni pickup patterns.
System 'A' offers the classic TG mid-forward sound — perfect for vocals and acoustic instruments. The alternate 'B' voicing excels at handling extreme SPLs and sounds great on kick drums, bass instruments, guitar amps, brass and more — similar to the legendary FET47. TG Microphone is also equipped with a -10 dB pad for those moments when you really need to crank it up to 11.
The TG Microphone also includes a dedicated power supply (PSU), eschewing the use of traditional 48 volt phantom power to provide a larger-than-solid-state sound. TG Microphone also includes a custom shock mount, 25-foot Mogami four-pin mic cable and wooden storage case. Price is $1849.
You might also like...
Lawo’s Christian Struck looks at the potential for production automation in immersive sports broadcasting, and how it can help move towards a personalized, object-based experience.
Genelec Senior Technologist Thomas Lund moves the monitoring discussion on to the practical considerations for immersive audio, wherever you are.
In this fourth installment of the Immersive Audio series we investigate the production tools needed to produce live immersive content. Moving from channel-based output to object audio presents some interesting challenges as the complex audio image moves around in three-dimensional…
Immersive audio transforms the listening environment to deliver a mesmerizing and captivating experience for a wide range of audiences and expansive group of genres.
Immersive audio has the great potential to transform our human listening experience, captivate our imagination, and inspire our inventiveness.