The Broadcast Bridge publishes about 100 articles every month. Given that high number, you could be expected to have missed one or more of them. Here are two recent articles that our data says readers found highly interesting.
The Broadcast Bridge technology editor, Tony Orme, continues his series on live television delivery via IP. In part 3 of this series, “Cost-effective IP Contribution and Distribution,” he examines how new consumer viewing habits mean increased demands on how broadcasters and content delivery companies transmit and manage media.
In the article Orme examines unique delivery challenges for live sports. He notes that this is one application where OTT monitoring needs to go much further than the standard video and audio level tests to keep viewers engaged with their service. Simply delivering IP media packets to a mobile device is not enough as broadcasters must be sure the viewer receives a good Quality of Experience (QoE).
Learn more about meeting the challenges of delivering live content via IP in the article, “Cost-effective IP Contribution and Distribution.
Ribbons were the first great microphones, mainly due to their very musical, natural sound qualities. Invented in the 1920s, their run of popularity lasted until the 1960s when newer technologies found favor. That was not because of the microphone itself, but due to changes in the way voices and music were recorded. Now ribbons are back in favor, but why?
Learn more about the construction and today’s use of high-quality ribbon microphones in the article, “How Ribbon Microphones Became Popular Again.” Writer Frank Beacham looks at modern ribbon microphone technology and why the newer versions represent a best-fit for many of today’s digital recording applications.
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Error correction is fascinating not least because it involves concepts that are not much used elsewhere, along with some idiomatic terminology that needs careful definition.
Errors are handled in real channels by a combination of techniques and it is the overall result that matters. This means that different media and channels can have completely different approaches to the problem, yet still deliver reliable data.
In the data recording or transmission fields, any time a recovered bit is not the same as what was supplied to the channel, there has been an error. Different types of data have different tolerances to error. Any time the…
Lawo’s Christian Struck looks at the potential for production automation in immersive sports broadcasting, and how it can help move towards a personalized, object-based experience.
Genelec Senior Technologist Thomas Lund moves the monitoring discussion on to the practical considerations for immersive audio, wherever you are.