Sachtler and Vinten have introduced the Flowtech100, the latest addition to the Flowtech carbon-fiber tripod line with camera support capability of 66 pounds.
Sachtler and Vinten said the Flowtech100 tripod is compatible with all major 100 mm fluid heads, making it ideal for heavy-duty electronic newsgathering (ENG), electronic field production (EFP) and wildlife, commercial and documentary productions.
Like the previously introduced Flowtech75, the Flowtech100 is based on carbon-fiber technology that includes the world's fastest-deploying tripod legs. With quick-release brakes located at the top of the tripod, the Flowtech100 legs can be deployed simultaneously and adjusted automatically to the ground's surface. This saves operators from having to bend over and manually adjust multiple brakes on each leg.
The tripod also includes a new removable carbon-fiber mid-level spreader with four locking positions, a carry handle and rubber feet that assure fast and stable setup in narrow spaces or on uneven terrain.
A hinge-lock mechanism enables the Flowtech100 to be raised up to five feet for high shots, or to be lowered to 10 inches to accommodate extremely low, ground-level shots without the need for "baby legs."
The Flowtech100 tripod can now be preordered from authorized Sachtler or Vinten resellers and will start shipping Oct. 1. The price is $3,450.
You might also like...
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his d…
During Super Bowl LIII, the football action will be on the field. But a lot of the action will be enhanced by incredible new graphics, some virtual, that CBS is using to super charge the screen.
This year’s Super Bowl LIII telecast on CBS will be produced and broadcast into millions of living rooms by employing the usual plethora of traditional live production equipment, along with a few wiz bang additions like 4K UHD and a…
Last Fall, “Orbital Redux” broke new ground for streaming entertainment as a live, scripted multi-episode sci-fi drama in which the audience determined the outcome of the action.
As any photographer or camera assistant will confess, a dead or dying battery during production quickly becomes a crisis. To avoid the predicament and maintain top performance from your kit of batteries here are some tips.