Mobile Editing Gets Mobile Storage

Mobile editing on a cell phone has become a real alternative now that equally portable storage systems are available.

When I wrote about Luma Touch’s amazingly powerful $20 editing app for iOS called LumaFusion last month, the editor using it on his Apple iPad, Josh Turchetta, was storing his 4K video on a series of SD cards, which was a clever but somewhat awkward solution.

As a sign portable NLE technology is maturing, two new wireless mobile storage systems are now available that could make the concept of needing a permanent edit bay installation obsolete.

Western Digital

The first solution comes from our friends at Western Digital. This company has been building storage since 1986 when it introduced the WD33C93 single-chip SCSI (Small Computer System Interface) used in the first 16-bit bus mastering host adapter.

“We’ve been working with Luma Touch for several months now,” Luke Ottrey, Western Digital’s marketing manager for WD branded products told me during our exclusive interview, “and the result has been two storage products that can communicate wirelessly with the LumaFusion editing application.”

The My Passport Wireless Pro spinning disk version is available with 1-4 TB storage. The My Passport Wireless SSD drive comes in 256 GB - 2 TB models.

The Western Digital Wireless SSD supports browsing video directly from the NLE library

The Western Digital Wireless SSD supports browsing video directly from the NLE library

Each drive provides wireless 802.11ac Wi-Fi connectivity and an SD 3.0 card slot to get video in and out of storage, although you can also use a USB cable.

Then, built into the LumaFusion editing app is an interface for the Western Digital storage, enabling the transfer of even 4K video at up to 400 MB/s depending on your iOS device’s Wi-Fi connection speed.

The video from the WD drive always comes in at the same resolution that you decide to edit it at, and once it has been cut and finished, it gets exported back to the WD storage at that same resolution.

The combination of portable NLE and storage turns an iPhone into a 4K-capable iPhone editor. Ottrey noted that WD was happy working with Luma Touch to create a multi-stream solution for mobile editing that comes without the costs, security risks and Internet connectivity requirements of cloud storage.

These Western Digital wireless drives are available now.

gnarbox

This wouldn’t be a maturing section of our post production community without competition, and some west coast contenders are giving it just that. On April 3rd, California group called gnarbox launched a Kickstarter campaign to upgrade their first-version SSD to a 2.0 version and smashed through its $75,000 goal in 39 minutes. 3 months later, the campaign closed at over $900,000, indicating their customer base really had faith in mobile editing.

(The “g” in their name is silent as any Californian familiar with “gnarly” surfer talk would know--fer sure!)

“Awesome,” Tim Feess, co-founder and CEO of gnarbox said as we began our interview, “since our roots are in outdoor sports. That’s one reason we know that 4K action cameras have become more ubiquitous as their costs have come down, and that has led to more interest in mobile editing.”

The gnarbox 2.0 mobile storage drive can transfer files wirelessly and also interfaces with Adobe Premiere Pro CC, Final Cut Pro X, Adobe Lightroom, and Dropbox.

The gnarbox 2.0 mobile storage drive can transfer files wirelessly and also interfaces with Adobe Premiere Pro CC, Final Cut Pro X, Adobe Lightroom, and Dropbox.

The gnarbox 2.0 uses an Intel Quad Core, 2.40 GHz CPU, NVMe (Non-Volatile Memory Express) controller interface to SSD storage holding up to 1TB with USB-C backup running at 400-500 MB/sec read/write speeds.

The drive works just fine with the LumaFusion app, and it can also interface with Adobe Premiere Pro CC, Apple’s Final Cut Pro X, Adobe Lightroom, and Dropbox.

“One advantage our gnarbox 2.0 has is that when downloading source video to a system like LumaFusion you only capture the part of a clip you are actually using in the edit on your timeline.

“This can be a significant space savings since, especially with drone video, where each take can be very long,” Feess said. “Our product was born from a community of digital creators, so we feel we have been able to take real world production considerations in mind when designing it. True, it may be more expensive than other options, but we feel the greater functionality will make it worthwhile to end users.”

gnarbox 2.0 is scheduled for delivery in December 2018.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

ZombieLoad And Other Things That Go Bump In The Night

May 14, 2019 may not have seemed a particularly important date for those who edit and color grade on Mac’s and PC’s. But it was. By chance, that day I went looking for the May Windows 10 Feature Update (1903). I was sur…

Server-Based “At Home” Workflows Provide Efficiency For NASCAR Productions

NASCAR Productions, based in Charlotte NC, prides itself on maintaining one of the most technically advanced content creation organizations in the country. It’s responsible for providing content, graphics and other show elements to broadcasters (mainly Fox and NBC), as w…

Essential Guide:  Practical Broadcast Storage

Ground breaking advances in storage technology are paving the way to empower broadcasters to fully utilize IT storage systems. Taking advantage of state-of-the-art machine learning techniques, IT innovators now deliver storage systems that are more resilient, flexible, and reliable than…

Practical Broadcast Storage - Part 3

Artificial Intelligence (AI) has made its mark on IT and is rapidly advancing into mainstream broadcasting. By employing AI methodologies, specifically machine learning, broadcasters can benefit greatly from the advances in IT infrastructure innovation and advanced storage designs.

Practical Broadcast Storage - Part 2

Broadcast systems are renowned for their high speed and high capacity data demands. Up to recently, they relied on bespoke hardware solutions to deliver the infrastructure required for live real-time uncompressed video. But new advances in IT data storage have…