iPi Soft Releases Version 4 of Motion Capture Software

This trailer made by Golden Lane Studio in Kiev with version 4 iPi MoCap software for a series of short films called “Five Nights at Freddy’s” has been watched by over 25 million people.

“The most exciting introduction in our new version 4 of our iPi Motion Capture software is a real time preview,” Michael Nikonov, founder and CEO of iPi Soft told me on a direct line from Moscow, Russia. “For now it is only for a single depth sensor, but we intend to extend it to multiple depth sensors and eventually to multiple camera capabilities.”

The achievement of real time preview capability from a single sensor in a markerless motion capture system is a significant achievement because it allows you to see the result of your motion tracking transferred to animated 3D characters in real time during the rehearsal of an actual performance.

The new Live Preview panel showing

The new Live Preview panel showing "connect/disconnect" buttons and "record" (click to enlarge).

You can even analyze the tracking of individual body parts.

Take the example of a knight fighting a dragon. Of course you want to make sure the knight’s foot doesn’t accidentally step through the dragon’s leg. But the preview function of 4 of iPi Motion Capture software gives you enough accurate detail to make sure the knight’s forearm stays far enough away from his body to realistically accommodate the separation needed for his armor.

Since you can visualize this as a preview, it allows users to see how the motion will look on a 3D character and make improvements without the need to redo multiple iterations of acting, recording and offline tracking.

Version 4 also adds support for many new cameras such as the Intel RealSense D415 / D435 depth cameras, Asus Xtion2 motion sensors and Orbbec Astra / Astra Pro 3D as well as action cameras such as the GoPro and SJCAM. 

Newly supported cameras: top to bottom: Orbbec Astra, Intel RealSense, Asus Xtion2.

Newly supported cameras: top to bottom: Orbbec Astra, Intel RealSense, Asus Xtion2.

“Actually, you can use any camera you want,” Nikonov said, “because this new software has tools that give you the ability to calibrate its internal parameters to correctly reconstruct the 3D information from its video to improve overall tracking capability.”

The new real time tracking feature in version 4 uses iPi Recorder, a free software provided by iPi Soft for capturing, playback and processing video recordings to communicate to iPi Mocap Studio software, instantly transferring motion to 3D characters.

Then, as Nikonov explained it, “Live tracking results can be stored to disk for additional offline processing, such as tracking refinement to improve tracking accuracy, manual corrections and jitter removal to provide end users with a more accurate, flexible and efficient workflow.”

Although version 4 of iPi Motion Capture software does not yet have multicam capability, you can load unsynchronized videos from multiple cameras in to the software and use iPi Recorder to sync and convert footage to .iPiVideo format used by iPi Mocap Studio.

“The simplest way is to use a photo flash at the beginning of a take,” Nikonov said, “and then line up each video based on its visible spike.”

3 actors, 10 virtual “cameras” tracking demo

The “.iPiVideo format”, BTW, is just a sequence of individual I-frame JPEGs which Nikonov told me is optimized to conveniently let you go frame-by-frame when processing your motion capture.

“We don’t have an official documentation for our proprietary .iPiVideo format,” he laughed. “In fact, it only works on our iPi Recorder, but we couldn’t find anything else that performs as well. It can easily be translated into any other video format on output.”

With version 4, iPi Soft is introducing a perpetual license model in addition to selling it on a subscription basis.

You might also like...

Ashley Xu - Crossing The Divide Between Creating For Social Media And Traditional Professional Media

Ashley Xu blew up on social media when she started making ‘thirst traps’ (adverts) in her college dorm. Check them out, you may be surprised by just how good they are. It did not take long for major brands to see…

HDR: Part 7 - LEDs - For Better For Worse

If we could get lights capable of full color mixing at the same price as conventional white-only ones, would we?

HDR: Part 6 - PQ And HLQ Cinematography

Like a lot of new ideas in film and TV, high dynamic range pictures are easy to like. The fear is that they’re far harder to create. In reality, HDR isn’t necessarily a huge burden, certainly not in the…

Location Shooting: What Kind Of Place Is It?

Capturing the essence of a location in a single shot or series of shots can present a range of challenges for the itinerant DOP.

Creating Virtual Production Environments With Production Supervisor Don Bitters

Much of the attention enjoyed by virtual production currently goes to the spectacular stages with LED displays the size of half a dozen cinema screens. The material we put on those displays, though, can come from a number of places,…