SLR Magic Anamorphic Adapter Now Available For Fujinon MK Lenses

SLR Magic have launched their new Anamorphot 1,33x-65 anamorphic adapter for Fujinon MK lenses. This new adapter accommodates lenses with a front element size of up to 65mm, and has a rear thread size of 82mm.

SLR Magic have collaborated with Fujifilm, and optimised this new adapter for their ever MK range of zooms, namely, the Fujinon MK 50-135mm T2.9. The adapter will mount directly to the Fujinon zoom and when mounted on a Fujinon MK 50-135mm, the integration of the adapter to lens appears like a singular unit.As the adapter features an internal focus design, the overall housing maintains the same size while focusing and front diameter can accommodate any industry 114mm clamp-on matte box. Also, the addition of a front thread will allow the use of screw in filters and diopters. This new larger size makes the 1,33x-65 adapter incredibly versatile and adaptable to a wide range of prime lenses and zooms, but still compact in size and form factor.

Trying to achieve a true anamorphic “look” in post cannot be emulated or faked. By cropping a standard 16:9 aspect ratio using a spherical lens, it discards 25% resolution of the overall image. Using the SLR Magic 1,33x-65 will preserve all pixels from the sensor and give you 33% more optical resolution and field of view from the camera. Additionally, the close focus distance for the 1.33x-65 is 4 feet.

The SLR Magic Anamorphot 1,33x-65 has been manufactured to extend the accessibility of anamorphic shooting to a larger variety of camera and lens packages.

Technical specifications

  • SLR Magic Anamorphot 1.33x – 65
  • Lens Type: Anamorphic adapter
  • Front diameter for Matte Box: Φ114
  • Objective front filter thread: Φ112
  • Objective rear filter thread: Φ82
  • Lens Coating: Multi Coated
  • Close Focus: dependent on taking lens compatibility
  • Weight: 780g
  • Let us know what you think…

    Log-in or Register for free to post comments…

    You might also like...

    Field Report: Canon EOS C200

    When a company markets two products that seem similar, both targeting much the same task, but one costs significantly less, it’s reasonable to assume the less expensive product will offer significantly fewer features.

    Server-Based “At Home” Workflows Provide Efficiency For NASCAR Productions

    NASCAR Productions, based in Charlotte NC, prides itself on maintaining one of the most technically advanced content creation organizations in the country. It’s responsible for providing content, graphics and other show elements to broadcasters (mainly Fox and NBC), as w…

    TV Director Treats Super Bowl Telecast Like Any Other Game

    Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his d…

    Super Bowl LIII Set To Dazzle On CBS

    This year’s Super Bowl LIII telecast on CBS will be produced and broadcast into millions of living rooms by employing the usual plethora of traditional live production equipment, along with a few wiz bang additions like 4K UHD and a…

    Broadcast For IT - Part 12 - Lenses

    In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s, and in this art…