Blue Lucy Launch Latest BLAM at IBC 2018

The new version of the BLAM asset and workflow management software includes a redesigned UI and completely new API.

The update to BLAM’s API supports a growing demand for developer “self-service” and makes the software even simpler to integrate, explains Julian Wright, Founder, Blue Lucy Media. “With the new API in place, BLAM conforms to the globally-recognised OpenAPI specification which facilitates documentation, code generation and testing. Both the BLAM SDK and OEM models benefit from the update which uses well-established constructs to simplify customisation and enable rapid application development.”

Blue Lucy’s upgrade of BLAM’s API has prompted a redesign of the current BLAM UI, which dates from 2012. The “more modern” interface has the ability to simply switch from day (or desktop) to night (or edit suite) mode and features dockable panes which users can arrange to create customised dashboard displays.

“While the new BLAM interface will continue to deliver an intuitive and simplified user experience, the real focus is on providing clear management information to support ever-changing operational requirements,” says Wright.

An Adobe Premiere plug-in provides access to all the core asset and workflow management features of Blue Lucy’s media operations management software from within Adobe Premiere. With the plug-in, users may import media, search for existing media, manage bins, workspaces and Premiere projects as well as render, export and trigger downstream workflows such as approval and delivery.

Now Blue Lucy has introduced two features which “ensure that editors’ efforts are spent creatively and provide production managers with the visibility they need to ensure the smooth and efficient running of a facility.”

The addition of BLAM Task Management to the plug-in means that editing tasks may now be included in the BLAM workflow and editors can manage their workload and priorities from one interface, while the Premiere Pro Markers capability ensures that logging metadata and comment markers are persisted with the source clip or project sequence in the BLAM.

“There will never be a one-size-fits-all model for media operations management solutions,” Wright adds. “The new BLAM is designed to accommodate the different needs of media businesses by providing core functionality in an affordable package that is easy to integrate and simple to use, but which also allows customers to scale and customise the system to meet their unique needs.” 

You might also like...

Productive Cloud Workflows - Part 2

We conclude this two-part article examining how IP is an enabling technology that facilitates the use of data centers and cloud technology to power media workflows.

Is On-Board Recording Media A Dying Breed?

With the advent of camera-to-Cloud recording, will in-camera recording media be relegated to the dust bin of history alongside the Jaz Drive and the Sony Memory Stick? It could soon well be the case, but for it to happen, The…

Scalable Dynamic Software For Broadcasters: Part 1 - Introduction

IP has succeeded in abstracting away the media essence from the underlying transport stream, and in doing so is providing scalable and dynamic solutions that are facilitated through cloud technologies and software.

Productive Cloud Workflows - Part 1

IP is an enabling technology that facilitates the use of data centers and cloud technology to power media workflows. The speed with which COTS (Commercial Off The Shelf) hardware can now process data means video and audio signals can be…

Mass Audience Broadcasting To Mobile With 5G Broadcast - Part 2

In the last article we looked at why TCP/IP internet delivery is incredibly difficult to scale and how 5G-NR can overcome its limitations. In this article we dig deeper into 5G-NR to understand why it is such a powerful…