Finally there is a serious editing app for iOS that gives post production pros the capabilities they need to create professional quality projects on mobile platforms. It’s called LumaFusion. It’s available from Luma Touch, and it only costs $20
This is almost incredible, but the proof of its truth is in the video at the top of this story. The entire video was shot in 4K with a DJI Osmo camera and posted on location in 4K using an Apple iPad loaded with at $20 piece of software called LumaFusion made by Luma Touch.
LumaFusion was produced by the original creators of the award-winning Pinnacle Studio App.
On May 25th, when Josh Turchetta strode onto the grounds of “Pandora – The World of Avatar” during their grand opening inside Disney's Animal Kingdom theme park at the Walt Disney World Resort near Orlando, Florida, he carried in his small production kit the 4K capabilities that only a few years ago would have taken up multiple high tech bays in an advanced Hollywood post house, and perhaps a decade ago would have stretched even their capabilities.
Turchetta has a multi-decade history as a director, editor and producer for several of the top entertainment companies in the digital creation industry including working with the Disney company on several shows for the D23 Official Disney Fan Club Channel.
But all of them were completed on traditional, desktop post production systems which has given Turchetta plenty of experience working on the kind of conventional NLE’s with which most of us are familiar.
The Osmo is a fully stabilized 4K, 12MP camera optimized for hand-held use
Then when a travel company called MEI Travel contracted him to cover the opening of “Pandora – The World of Avatar”, he wanted a Steadicam look to the video, but didn’t want to carry a lot of equipment through the park, so he decided on a much less obtrusive DJI Osmo with its hand-held 3-axis stabilization mount.
He also wanted to turn the project around on site, and after some extensive online research about mobile edit software, some costing well over $100, came across the LumaFusion system from Luma Touch.
Like anyone, he was skeptical about its $20 price.
But, as he told me during our interview, that changed quickly when he tried it out.
“From the minute I installed LumaFusion on my iPad, it just blew me away,” Turchetta said. “I started doing test projects challenging its capability, and LumaFusion just kept doing what I wanted.”
Because this article is going to be filled with superlatives, I intentionally pushed Turchetta for details, with the understanding that I personally have no dog in this hunt, and I know that Turchetta does not work for Luma Touch.
He did some apples-to-apples tests with it against his very mainstream desktop system that is running on a Mac Pro tower with 6 terabyte RAID storage and 64 GB RAM.
“I put the same mix of 4K and 1080 material on both systems to test editing, render and export time,” Turchetta said, “and it wasn’t long before the desktop system was choking on the 4K footage. But LumaFusion never froze, never crashed. I was sitting at my kitchen table looking at it in amazement.”
He took an iPad loaded with the same software and the DJI Osmo camera to Orlando, shot 5 days of footage in the Pandora park, and finished the project before leaving for home.
For storage, he cleared off the iPad and kept his footage on 64 GB Osmo SD cards, importing only the material he needed for a specific sequence using a USB Memorex AirStash card reader. In effect, this gave him unlimited storage, even with 4K source material, as long as he did not run out of SD cards.
“I was working on several projects simultaneously, but I think I shot about 40 GB of footage specifically for Pandora, maybe 50,” he recalls. Using pre-built Adobe Photoshop graphics he said it was easy to overlay the .png files into the software.
LumaFX costs an additional $2.99 on the App Store.
Coming from a traditional NLE background, Turchetta was accustomed to keyboard editing in addition to mousing around, so he connected a backlit Logitech Create keyboard to his iPad.
Add a keyboard, and you are no longer restricted to mouse editing.
“It was just like editing on my desktop system except faster and there were no crashes,” Turchetta told me. “I also have an Apple pencil, so that gives me another option for my work.”
Just a week before our interview, Turchetta had completed a project at the Children’s Hospital of Orange County in California and he found it handy that when observers wanted to see what he had shot he could simply take the SD card from his Osmo camera and pop it into his iPad to display the footage on set in 4K.
Turchetta has even demo’d the software to friends on his iPhone.
Terri Morgan, who co-founded the Luma Touch company with Chris Demiris, told me the software has been on the market for over a year and has gathered a growing community of users.
Because storage on an iPad is always going to be a challenge, she described the software's space-optimizing feature called Project Archive.
“Project Archive takes only the media used on the timeline, packages it up with head and tail handles, and stores it in a Zip file,” she described. “Then you can store it in Drop Box or on your desktop, and clean off your iPad. When you restore the project, you get your timeline back with trim material. In fact, you have the choice of saving either just the trim material, or the whole clip from which it came. That way, only takes that were completely ignored are discarded.”
You can also store your source footage on the Apple iCloud, but not everyone wants to mix their client’s video with their kid’s photos and let Apple manage it.
I also asked Terri Morgan about output options.
“You can master your project up to 4K resolution at 100 Mb/sec with MPEG 4 or QuickTime wrappers using HEVC or H.264/H.265 codecs,” Morgan said. “Chris and I spent 3 years developing LumaFusion, and our passions lie with professional level products. Just wait ‘til you try its color correction and audio keyframing capability."
You might also like...
Philo T. Farnsworth was the original TV pioneer. When he transmitted the first picture from a camera to a receiver in another room in 1927, he exclaimed to technicians helping him, “There you are – electronic television!” What’s never been quoted but lik…
NASCAR Productions, based in Charlotte NC, prides itself on maintaining one of the most technically advanced content creation organizations in the country. It’s responsible for providing content, graphics and other show elements to broadcasters (mainly Fox and NBC), as w…
Behind the more than 100 television cameras and an arsenal of the most advanced broadcast technology ever assembled, the anchors reporting the 53rd Super Bowl will concentrate on the ancient art of storytelling.
During Super Bowl LIII, the football action will be on the field. But a lot of the action will be enhanced by incredible new graphics, some virtual, that CBS is using to super charge the screen.
We editors, color graders and graphics artists are an opinionated group and that’s a good thing because with the speed technology is changing we need open communication among ourselves.