At this year’s CES convention, JVC Professional Video (in booth 1711) will demonstrate two of its new 4KCAM camcorders, the GY-LS300, with a single Super 35 sensor, and GY-HM200, the company’s most affordable 4K/HD streaming camcorder to date and one targeted at ENG and commercial production.
The GY-LS300 offers a variety of native recording formats including 4K Ultra HD, Full HD with 4:2:2 sampling, SD, and Web-friendly proxy formats to non-proprietary SDHC and SDXC media cards. It features JVC’s 4K Super 35mm CMOS sensor combined with a Micro Four Thirds (MFT) lens mount. JVC’s Variable Scan Mapping technology maintains the native angle of view for a variety of lenses, including Super35, MFT, and Super16. As a result, lens options for the camera are almost limitless.
“Lenses are a crucial part of image capture, and an image sensor works the best with the specific type of lens designed for that sensor,” explained Edgar Shane, general manager of engineering, JVC Professional Products. “Only the GY-LS300 electronically adapts the active area of its Super 35 CMOS sensor to also accommodate MFT, Super 16, and other lenses, which connect to our MFT lens mount with third-party adapters. The GY-LS300’s Variable Scan Mapping is unique in the industry and gives filmmakers unprecedented flexibility.”
With a combination of professional features and performance, the versatile GY-HM200 is ideal for any assignment. It delivers 4K Ultra HD, 4:2:2 Full HD (50Mbps), and SD imagery with a 1/2.3-inch BSI CMOS chip. Its built-in 12x zoom lens with optical image stabilizer also offers 24x dynamic zoom in HD mode.
Both the GY-HM200 and GY-LS300 include a built-in HD streaming engine with Wi-Fi and 4G LTE connectivity for live HD transmission directly to hardware decoders, Ustream, Wowza Streaming Engine, and the ProHD Broadcaster server powered by Zixi. With support for several streaming protocols including RTMP, the cameras can stream instantly to Ustream or other destinations while simultaneously recording to SDHC/SDXC media cards. Zixi’s Advanced Streaming Technology (AST) provides content-aware error correction and bandwidth shaping, while JVC’s Streamconfidence delivers real-time feedback of LTE and streaming status in the viewfinder.
The camcorders also feature a 3.5-inch LCD display and 1.56 megapixel color viewfinder, dual XLR audio inputs that are mic/line switchable and feature built-in phantom power, an integrated handle with hot shoe and dedicated microphone mount, and SDI and HDMI video outputs. The GY-HM200 has an MSRP of $2,995 and will be available in February, while the GY-LS300 has an MSRP of $4,450 and will be available in March.
You might also like...
In a multi-disciplinary subject such as color space, it is hard to know where to start. John Watkinson argues that the starting point is less important than the destination.
As High Dynamic Range (HDR) and Wide Color Gamut (i.e.BT.2020) are increasingly mandated by major industry players like Netflix and Amazon, DOPs in the broadcast realm are under intense pressure to get it right during original image capture.…
Most people are aware that any color can be mixed from red, green and blue light, and we make color pictures out of red, green and blue images. The relationship between modern color imaging and the human visual system was…
In this thought-provoking missive, Gary Olson delivers his predictions and insights for IBC 2019.
A long chain of events is needed to see a color picture on a TV set. Only by considering every link in the chain can we strengthen any weak links.