JVC Exhibits 4KCAM Products At CES 2015

At this year’s CES convention, JVC Professional Video (in booth 1711) will demonstrate two of its new 4KCAM camcorders, the GY-LS300, with a single Super 35 sensor, and GY-HM200, the company’s most affordable 4K/HD streaming camcorder to date and one targeted at ENG and commercial production.

The GY-LS300 offers a variety of native recording formats including 4K Ultra HD, Full HD with 4:2:2 sampling, SD, and Web-friendly proxy formats to non-proprietary SDHC and SDXC media cards. It features JVC’s 4K Super 35mm CMOS sensor combined with a Micro Four Thirds (MFT) lens mount. JVC’s Variable Scan Mapping technology maintains the native angle of view for a variety of lenses, including Super35, MFT, and Super16. As a result, lens options for the camera are almost limitless.

“Lenses are a crucial part of image capture, and an image sensor works the best with the specific type of lens designed for that sensor,” explained Edgar Shane, general manager of engineering, JVC Professional Products. “Only the GY-LS300 electronically adapts the active area of its Super 35 CMOS sensor to also accommodate MFT, Super 16, and other lenses, which connect to our MFT lens mount with third-party adapters. The GY-LS300’s Variable Scan Mapping is unique in the industry and gives filmmakers unprecedented flexibility.”

With a combination of professional features and performance, the versatile GY-HM200 is ideal for any assignment. It delivers 4K Ultra HD, 4:2:2 Full HD (50Mbps), and SD imagery with a 1/2.3-inch BSI CMOS chip. Its built-in 12x zoom lens with optical image stabilizer also offers 24x dynamic zoom in HD mode.

Both the GY-HM200 and GY-LS300 include a built-in HD streaming engine with Wi-Fi and 4G LTE connectivity for live HD transmission directly to hardware decoders, UstreamWowza Streaming Engine, and the ProHD Broadcaster server powered by Zixi. With support for several streaming protocols including RTMP, the cameras can stream instantly to Ustream or other destinations while simultaneously recording to SDHC/SDXC media cards. Zixi’s Advanced Streaming Technology (AST) provides content-aware error correction and bandwidth shaping, while JVC’s Streamconfidence delivers real-time feedback of LTE and streaming status in the viewfinder.

The camcorders also feature a 3.5-inch LCD display and 1.56 megapixel color viewfinder, dual XLR audio inputs that are mic/line switchable and feature built-in phantom power, an integrated handle with hot shoe and dedicated microphone mount, and SDI and HDMI video outputs. The GY-HM200 has an MSRP of $2,995 and will be available in February, while the GY-LS300 has an MSRP of $4,450 and will be available in March.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Articles You May Have Missed – August 22, 2018

A search engine shows the term, “Video IP” has more than 66 million hits. While the phrase may be popular, only a small percentage of those sites are able to add to the professional technical knowledge base needed to build and man…

Extending The Studio Network To The Field

It is time to implement IP based bidirectional and multi-user radio systems in the licensed BAS band channels. The resulting improvements in data rates and new technology can enable workflows in the field much like those enjoyed in the studio.…

Articles You May Have Missed – August 8, 2018

With IBC 2018 just a month away, it is time to consider the type of technology on which to focus. One technology battle brewing amongst giants concerns on three major cloud providers, Amazon Web Services, (AWS), Google Cloud Platform (GCP) and…

Sony Virtual Production Service Launched at Red Bull Event

Although OTT delivery has created a mature market for on-demand scripted shows that leverages the public internet for distribution, the ever increasing and IP-enabled bandwidth available that uses public wireless networks and the public cloud, is opening a new market…

Articles You May Have Missed – July 4, 2018

With World Cup Soccer top of mind, it might be a good time to review both camera design and audio capture technologies. How cameras are packaged has been a decided art for decades, but newer technologies like mirrorless capture and…