Production still from the The Groveland Four with Panasonic Varicam camera.
WUCF Central Florida PBS has purchased Panasonic VariCam LT 4K cinema camcorders to support production of its extensive local programming as well as the filming of a high-profile documentary, The Groveland Four. A national project, The Groveland Four explores an historic episode in Central Florida’s mid-20th century race relations.
Nearing completion, The Groveland Four is slated for spring film festival submissions (the American Black Film Festival and AFI DOCS Film Festival), a June 28 premiere on WUCF, and then will be submitted to PBS and APT for possible national distribution. The incident it documents is that of a young Lake County farm wife, who in the summer of 1949 accused four young African-American men of rape. The case of The Groveland Four played out over several years, and led to a race riot, torture, multiple murders, two trials, a Supreme Court reversal and the assassination of a Florida civil rights leader.
Many settings in Groveland, FL and surrounding Lake County have changed very little over the past seven decades, facilitating the use of many practical nearby locations and simplifying a six-month shooting schedule that relied heavily on historic recreations. The Groveland Four's writer/director/producer is Keith Salkowski, the Director of Photography is Mark Hubatsek, Camera Operator Brian Hirten, and Editor Laurel Ladevich.
WUCF Director of Production Duilio Mariola said that the VariCam LTs were chosen after a thorough review of competitive cameras. “This represented a big investment for us, and we conducted intense hands-on trials,” he noted. “The LTs excelled in terms of image production, ergonomics and, crucially, low-light handling.”
Manager of Technology/Production Engineer Ryan Retherford recounted the shoot-out. “I shot with the LT in a dark hallway, but standing in bright sunlight in front of an open window,” he said.
“The Panasonic had much better latitude, and seemingly sought out the bright spots, seeing all the way to the back of the hallway.”
Two of WUCF's three VariCam LTs were assigned to The Groveland Four, one outfitted with Zeiss primes, the second with Fujinon 20-120mm Cabrio lenses. The 90-minute documentary was shot and is being edited in 4K.
“The production took full advantage of the VariCam LT's dual native ISOs of 800/5000,as we were shooting several of the recreations at night, some lit only with car headlights,” noted Retherford, who participated in several of the shoots. “Station management has been wowed by the camerawork, to the extent that our executive director would look at scenes and say, 'That was shot with the LT, right?'”
While production of The Groveland Four was the impetus for the VariCam LT purchase, the ultimate application for those cameras and the DVX200s is for the station's 12-person production team, responsible for shooting WUCF's roster of six local shows, Metro Center Outlook, Global Perspectives, Nerd Nite Spotlight, ONE Central Florida, Sunshine Blues and Roadtrip. While WUCF is capturing station IDs in 4K, its utility shooting format is AVC-Intra 100/1080i. The editing platform for 4K and HD is Adobe Creative Cloud.
WUCF-TV, operated by the University of Central Florida, and reaches an estimated population of 4.6 million people in its viewing area.
You might also like...
While the merits of 8K delivery is being debated by broadcasters around the world, some are moving forward with plans to deploy the high resolution quality in creative ways that engage viewers and encourage them to interact with a live…
In the last article in this series, we looked at how PTP V2.1 has improved security. In this part, we investigate how robustness and monitoring is further improved to provide resilient and accurate network timing.
It’s a truism of our craft that compelling visual stories in film and TV are communicated in the subtext of scenes, that is to say, what we exclude from the Frame is almost always more important to the storytelling t…
Timing accuracy has been a fundamental component of broadcast infrastructures for as long as we’ve transmitted television pictures and sound. The time invariant nature of frame sampling still requires us to provide timing references with sub microsecond accuracy.
For the past year an international group of technology companies, funded by the European Union (EU), has been looking into the use of 5G technology to streamline live and studio production in the hopes of distributing more content to (and…