IBC2018 Show Event Channel

Everything you need to know for the show and exhibitors.

Click here

WUCF Buys VariCam LT 4K Camcorders for The Groveland Four

WUCF Central Florida PBS has purchased Panasonic VariCam LT 4K cinema camcorders to support production of its extensive local programming as well as the filming of a high-profile documentary, The Groveland Four. A national project, The Groveland Four explores an historic episode in Central Florida’s mid-20th century race relations.

Nearing completion, The Groveland Four is slated for spring film festival submissions (the American Black Film Festival and AFI DOCS Film Festival), a June 28 premiere on WUCF, and then will be submitted to PBS and APT for possible national distribution. The incident it documents is that of a young Lake County farm wife, who in the summer of 1949 accused four young African-American men of rape. The case of The Groveland Four played out over several years, and led to a race riot, torture, multiple murders, two trials, a Supreme Court reversal and the assassination of a Florida civil rights leader.

Many settings in Groveland, FL and surrounding Lake County have changed very little over the past seven decades, facilitating the use of many practical nearby locations and simplifying a six-month shooting schedule that relied heavily on historic recreations. The Groveland Four's writer/director/producer is Keith Salkowski, the Director of Photography is Mark Hubatsek, Camera Operator Brian Hirten, and Editor Laurel Ladevich.

WUCF Director of Production Duilio Mariola said that the VariCam LTs were chosen after a thorough review of competitive cameras. “This represented a big investment for us, and we conducted intense hands-on trials,” he noted. “The LTs excelled in terms of image production, ergonomics and, crucially, low-light handling.”

Manager of Technology/Production Engineer Ryan Retherford recounted the shoot-out. “I shot with the LT in a dark hallway, but standing in bright sunlight in front of an open window,” he said.

“The Panasonic had much better latitude, and seemingly sought out the bright spots, seeing all the way to the back of the hallway.”

Two of WUCF's three VariCam LTs were assigned to The Groveland Four, one outfitted with Zeiss primes, the second with Fujinon 20-120mm Cabrio lenses. The 90-minute documentary was shot and is being edited in 4K.

“The production took full advantage of the VariCam LT's dual native ISOs of 800/5000,as we were shooting several of the recreations at night, some lit only with car headlights,” noted Retherford, who participated in several of the shoots. “Station management has been wowed by the camerawork, to the extent that our executive director would look at scenes and say, 'That was shot with the LT, right?'”

While production of The Groveland Four was the impetus for the VariCam LT purchase, the ultimate application for those cameras and the DVX200s is for the station's 12-person production team, responsible for shooting WUCF's roster of six local shows, Metro Center Outlook, Global Perspectives, Nerd Nite Spotlight, ONE Central Florida, Sunshine Blues and Roadtrip. While WUCF is capturing station IDs in 4K, its utility shooting format is AVC-Intra 100/1080i. The editing platform for 4K and HD is Adobe Creative Cloud.

WUCF-TV, operated by the University of Central Florida, and reaches an estimated population of 4.6 million people in its viewing area.

Let us know what you think…

Log-in or Register for free to post comments…

You might also like...

Sony Virtual Production Service Launched at Red Bull Event

Although OTT delivery has created a mature market for on-demand scripted shows that leverages the public internet for distribution, the ever increasing and IP-enabled bandwidth available that uses public wireless networks and the public cloud, is opening a new market…

Can Artificial Intelligence Create Low-Light Images Without Noise?

Noise is found in all imaging systems, but it becomes particularly challenging in low light. High ISO can be used to increase brightness, but it also amplifies noise. Post-processing can be applied, but it does not resolve the low signal-to-noise…

2018 NAB Show Highlights Complex State of the Industry

Following numerous private conversations and panel discussions at the recent 2018 NAB Show, it’s become clear that broadcasters are being challenged like never before to hold the line on CapEx spending while delivering more content across their linear platforms. Because o…

Sensor Developments, a Look Forward

The core of any camera is the sensor, and along with the lens, they define and constrain the performance of the camera more so than the downstream processing. There have been many advances in sensors, with the move from vacuum…

Canon Compact Zoom: 18-80mm and 70-200mm

Canon’s new Cine-Servo 17-120 T2.95-39 compact lenses are parfocal lenses. Once focus is achieved, focus will be held at all focal lengths. However, when you need auto-focus, the parfocal design is a perfect match to the Canon’s Dua…