Wear a Drone on your Wrist
One of the rules of governing the use of drones for filming is that there must be a licensed pilot and another operator in control of the camera. To be strictly legal there is supposed to be a third ‘spotter’. But if you don’t have a specialist videographer to follow you around or perhaps you are busy pursuing a sport how do take video of the activity?
Perhaps with a Nixie, a flying wrist band which has won Intel's inaugural Make it Wearable competition.
It's the brainchild of Christoph Kohstall, a Stanford University researcher in experimental quantum optics and founder of Nixie.
“With a gesture you should be able to get the Nixie to unfold and take off from your wrist,” he explains in an online video . “It knows where you are. It takes a picture of you, and comes back to you. You catch it put it back on your wrist.”
Kohstall is using the $500,000 prize money to turn his idea into commercial reality.
Make It Wearable Finalists | Meet Team Nixie
The idea is a neat convergence of two trends – wearable computing and UAV's - which are apparently the must have item this Christmas for men who like gadgets.
The idea of having drones respond to a person's location with sensors and to follow them around is not new and could be applied to sports events. Starting with extreme sports like skiing and mountain bike racing drones programmed to follow a short distance away from competitors could transmit live video of the performance. It's not too much of a leap to see how drones could also usurp the cabled aerial camera systems in sports stadia.
You might also like...
The Resolution Revolution
We can now capture video in much higher resolutions than we can transmit, distribute and display. But should we?
Microphones: Part 3 - Human Auditory System
To get the best out of a microphone it is important to understand how it differs from the human ear.
HDR Picture Fundamentals: Camera Technology
Understanding the terminology and technical theory of camera sensors & lenses is a key element of specifying systems to meet the consumer desire for High Dynamic Range.
Demands On Production With HDR & WCG
The adoption of HDR requires adjustments in workflow that place different requirements on both people and technology, especially when multiple formats are required simultaneously.
NDI For Broadcast: Part 3 – Bridging The Gap
This third and for now, final part of our mini-series exploring NDI and its place in broadcast infrastructure moves on to a trio of tools released with NDI 5.0 which are all aimed at facilitating remote and collaborative workflows; NDI Audio,…