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While the business side of streaming has a host of terms that can confuse, the same can be said of the technology side. Sometimes the confusion stems from a lack of definition or an overuse of a term from so many different use cases that its meaning is lost. Sometimes the confusion stems from the proliferation of terms that reflect the natural and necessary evolution of the industry, but which leaves even the most seasoned members of the industry feeling like it’s time to study again.
Waves are an important topic, not least because all life on Earth depends upon them. The Earth depends totally on the radiation from the Sun, which is a ceaseless blast of energy spread over a vast range of wavelengths.
VuWall announces the release of its new VuStream 550 all-in-one SDVoE encoder/decoder appliance, designed for distributing 4K60 video and audio over standard 10Gb IP network switches with no latency. The VuStream 550 provides an ultra-scalable, easy-to-deploy, highly reliable solution for incredible flexibility in system design and workflows.
Monitoring what is happening in a remote system depends on being able to ask for something to be checked and having the results reported back to you. There are many ways to do this. This article looks at some simple examples.
A discussion of camera sources, contribution network and remote control infrastructure required at the venue.
Alteon.io, a comprehensive content management system for creatives, has announced the launch of Alteon Accelerator, a new desktop application that maximizes media upload speeds for content creators.
It was ten years ago, in the fall of 2012, that NBCUniversal opened a new international broadcast center in Stamford Connecticut, as the home for NBC Sports. It served as a way to consolidate its growing employee base and the production activities of a number of physical assets the network owned in Colorado, Connecticut, New Jersey, New York City, and Philadelphia.
The 2022 City of Culture festival concluded with a performance created by Nitin Sawhney CBE. Filmed on the URSA Broadcast G2, an edited broadcast of Ghosts In The Ruins aired on the BBC.
