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Virtual production studios are popping up across the globe as the latest solution for safe and cost/time-effective TV and movie production. This method replaces on location shooting and, by utilizing all-encompassing LED walls (often called “volumes”), is fundamentally changing the way motion pictures are produced.
Calrec’s Argo audio mixing control platform is making its NAB debut with both the Argo Q and Argo S on show. Designed to adapt to changing production needs, Calrec’s Argo is a new approach to audio mixing, with a flexible control philosophy that breaks the traditional geographic tie lines between processing and control.
Lawo supports customers with experience, industry standards and a proven IP migration strategy.
FAST can deliver the promise of true personalization intertwined with mass market reach. This heady mix can maximize advertising revenues from the large audiences currently turning away from traditional Pay-TV services towards free streaming services.
As we approach the 2023 NAB Show in the NAB centenary year, we celebrate the unique insight and influence of the Broadcast Engineering & IT Conference that happens alongside the show each year.
Refraction is a topic that is at the heart of waves of all kinds. It affects the broadcaster in many ways, in lenses, optical fibers and in the way transmissions propagate.
As the adoption of IP for live broadcast production begins to mature, we examine the standards and some of the factors to consider in migration.
With MPEG-2 still the dominant encoding platform used by OTA broadcasters in North America, and many looking to make the move to ATSC 3.0 (Nextgen TV), software-based encoding systems are increasingly being deployed. This slow but steady evolution has led to smaller sized solutions that offer more features and flexibility and provide a more efficient use of the available bandwidth.
