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This is a more comprehensive list of the AES Standards & Recommended Practices, AES Information Documents and AES Project Reports.
This is the second part of our discussion of one of the biggest challenges for national Public Service Broadcasters; how to maintain their obligation for universal service in a future landscape where audiences have migrated to streaming as their primary method of media access.
At the 2024 NAB Show, SDVI will demonstrate how its Rally media supply chain management platform enables media companies to optimize the productivity of their media operations across both automated and manual tasks for a wide range of use cases.
This Essential Guide introduces and explores the concept of Network Observability. For any broadcast engineering team using IP networks and cloud ecosystems for live video production, it is an approach which could help combat a number of the inherent challenges of using such dynamic systems.
The team at NFL Media share invaluable insight into the truly huge AoIP comms system at their Hollywood Park production center.
Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
You may also deploy non-SMPTE standards such as AES, MPEG and others in your workflow architectural design.
All of the AMWA NMOS documents are available free of charge at the AMWA web site. Download what you need.
