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Gravity Media will be providing a range of onsite technical facilities from standup positions to complete temporary studios for broadcasters covering the FIFA World Cup in Qatar in winter 2022. Globecast is providing fully redundant satellite and fibre connectivity as well as public internet reach if desired. Gravity will also provide post-production services for broadcasters.
Qvest and Grass Valley sign $25 million global agreement for media and entertainment infrastructure innovation.
The launch is BEAM Dynamics’ first and is presented as the first product that addresses the problem of downtime on set, estimated to cost the industry $6 billion per year.
A few years ago, a prominent manufacturer of studio support equipment did something unusual: it went to NAB with an experienced broadcast camera operator to discuss a part of live production that’s invisible when done well. Following a driven golf ball is one of the trickiest tasks in any branch of film and TV, demanding not only skill but equipment which allows people to exhibit that skill.
Television ratings service Nielsen recently released a report that showed streaming platforms pulled in a bigger share of viewers’ time then broadcast networks did. In fact, Netflix and YouTube alone now make up about 12 percent of the time Americans spend in front of their TVs.
Rally Access for Adobe Premiere Pro is now available to users of the SDVI Rally media supply chain platform through direct download from Adobe Exchange.
Telstra Broadcast Services (TBS) has delivered the 36th America’s Cup presented by PRADA (AC36) to an audience reaching nearly one billion viewers in 236 countries and territories, making it the most-watched America’s Cup in its 170-year history.
Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.
