The latest release of Editshare’s Flow MAM (2019 Extension 2) is aimed at simplifying media sharing and collaboration with embedded production tools to track, search, retrieve, and edit media across on-premise and cloud-based storage solutions.
With IP now widely used to move audio and video around the facility and many of the tools needed for broadcast production already virtualized, few barriers remain for the cloud-based operation. However, what will it take to migrate your particular broadcast operations to the cloud?
NASCAR Productions, based in Charlotte NC, prides itself on maintaining one of the most technically advanced content creation organizations in the country. It’s responsible for providing content, graphics and other show elements to broadcasters (mainly Fox and NBC), as well as NASCAR’s digital and social platforms and other sho
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The owner of Gearhouse Broadcast, Hyperactive Broadcast and Input Media is upgrading its EVS XT servers to run the latest Multicam 16.00 operating system. The group’s IPDirector and XTAccess live tools are also updated.
Belarus TV has four new high-definition (HD) outside broadcast vans and four mobile studios in a flight case, designed and built by German OB systems integrator Broadcast Solutions. The trucks will support live coverage of the summer 2019 European Games, in Minsk. The first two production vehicles were delivered in December 2018
Like many professional football players themselves, CBS Sports Lead television director Mike Arnold tries to treat the Super Bowl as he would a regular season game, calling the same shots and camera angles—albeit with many more cameras at his disposal, augmented reality graphics on the field and virtually every p