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TSL showcases the new MPA1-MIX-NET monitoring solution at NAB 2023 alongside its flagship Precision Audio Monitoring (PAM) range, both of which provide smooth migration paths to IP.
By virtualizing many of the key production tools and systems required to produce and distribute content, cloud-based production has emerged as a technology and service combination whose time has come. It’s already clear that the cost-effectiveness, flexibility, efficiency and speed of cloud-based TV productions are now a force in the growth and development of media companies and the programs they produce.
Lawo and Haivision are pleased to announce that Lawo’s newly introduced HOME Apps will support streams received in the SRT (Secure Reliable Transport) format – including the ability to transcode and transmit a variety of incoming source streams to SRT-compatible destinations.
Chyron has announced that its focus on sports solutions at the 2023 NAB Show will illustrate how updates to key graphics systems can ease users’ transition to advanced production tools, as well as agile, cost-effective, cloud-enabled workflows. The PRIME Platform and Chyron LIVE will both be featured in presentations on the Chyron booth.
The broadcast industry has been evolving towards greater immersion since its inception. As technology evolves, so do the capabilities of broadcasters and content creators to bring audiences inside of their stories.
Ross Video’s theme for the 2023 NAB Show, “From idea to audience, let’s make it real,” will highlight the production possibilities unlocked by the range of solutions the company is bringing to this year’s show.
Monolithic software has defined a model that provides persistence using database storage while maintaining data integrity, but at the same time this restricts scalability. Microservices present a new method for maintaining data integrity and at the same time facilitating scalability.
If it feels like we’ve been talking about AoIP for the last 10 years, there’s a good reason for that; we have. IP has been a focus for broadcasters for so long that there are actual grown-ups working in the industry who don’t know of a time before IP was a thing.
