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This is a list of the abbreviations for media container files which are commonly used within documentation.
This list of file container formats and their extensions is not exhaustive but it does describe the important ones whose standards are in everyday use in a broadcasting environment.
Talk to any audio engineer in the broadcast or live segment and they will tell you that separating the control surface (some call it the front end) from the I/O stageboxes and routing/patching section (the back end) as well as the DSP processor makes their lives so much easier, especially if such a setup evolves around an intuitive management system.
The Bathurst 1000 is a massive production by anybody’s standards, with 175 cameras, 10 OB’s, 250 crew and 31 miles of fiber cable. Here is how the team at Gravity Media Australia pull it off.
Multimedia system designer and integrator Fuse Technical Group chooses Matrox Video’s technology to drive SMPTE ST 2110 routing, orchestration, conversion, and control inside Sphere in Las Vegas, where U2 is performing the venue’s first-ever shows. Show and event producers rely on the technology to feed and manage SMPTE ST 2110 signals for what is currently the biggest show on the planet.
Artificial Intelligence (AI) – which we should all really be calling Machine Learning - has found many applications within the media & entertainment world, driving innovation and pushing the boundaries of video production technology and advanced workflows. There’s a little secret about AI applications in media: metadata makes them work.
The origins of Genelec’s UNIO platform date back to the launch of our Smart Active Monitoring (SAM) family in 2006.
Outside broadcast adds layers of complexity to audio workflows. We discuss the many approaches to hybrid remote production and discuss the challenges of integrating temporary or permanently distributed production teams.
