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MBC GROUP, a media company in the MENA region, recently upgraded its audio infrastructure with AES67/RAVENNA-compliant Lawo IP equipment for its two control rooms and studios located in Dubai Studio City.
It’s still early days for live Dolby Atmos broadcasting in the United States, but Glenn Stilwell, senior audio engineering and operations manager for the Pac-12 Networks, is ready for it. Indeed, not only has Stilwell been experimenting with creating Dolby Atmos mixes in preparation for its more widespread use in live broadcasting, but he is also helping to train A1s in the technical aspects of the immersive format.
The Quicklink Studio and Studio-in-a-box solutions have been used by The People’s Court, a long running TV court show, to continue production during COVID-19.
Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.
Malaysian talk show Talking Grace has migrated to cloud production with the help of TVU Networks, a California based provider of cloud and IP-based live video technology.
The SMPTE 2021 Annual Technical Conference (SMPTE 2021 ATC), will be hosted virtually from Nov. 9-11 and Nov. 16-18, with daily four-hour sessions offered.
United Studios of Israel (USI) has significantly enhanced communications capabilities across its expansive Hertzliya Studios with its recent deployment of a Riedel Communications Bolero wireless intercom system. The Bolero system enables flexible communications across eight state-of-the-art television studios, as well as OB vans in the field, during live production of entertainment, sports, and reality TV shows.
As engineers and technologists, it’s easy to become bogged down in the technical solutions that maintain high levels of computer security, but the first port of call in designing any secure system should be to consider the user and their interaction.
