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While commercial deployments of 5G networks are steadily increasing, many commentators predict that the rise of more immersive communication, holographic telepresence, and social experiences powered by Extended Reality (XR)… IE ‘the metaverse’, will create vast amounts of generated data and applications that will rapidly exceed the current and future capabilities of 5G networks… challenges that may be solved by 6G.
Riedel’s family of software-based products for multicamera production, integrated into its portfolio after the acquisition of Simplylive, consists of the Simplylive Production Suite, the RiMotion and RiCapture replay and ingest solutions, as well as Venue Gateways and Web Multiviewers.
In the Spring of 2019, Jean Vanbraekel, Head of Operations and Distribution for RTBF, was tasked with helping to move the French-speaking public broadcaster into the IP age and he was nervous. Not because he thought it couldn’t be done, but because the required production equipment was not fully tested (or didn’t exist at all). Most devices, like production switchers and replay servers, were available only in SDI at that time.
Appear has been chosen by PSSI Global Services to deliver contribution backhaul for REMI-based productions for the Ultimate Fighting Championship (UFC).
Shock waves are interesting phenomena that take place in a number of different media. For an arcane physical process, they have done quite well to be adopted by the mainstream media as one of their clichés, along with Mae West life jackets and aircraft black boxes (which are orange).
Whether using cloud services in isolation or as part of a hybrid model, new working practices that may not be immediately obvious to broadcasters must be adopted from the very beginning of the design.
Matrox ORIGIN is a common development framework for the broadcast infrastructure of the future. ORIGIN provides the foundation for tier 1 live production in the cloud without compromise. Unlike anything else on the market, ORIGIN is the missing link for tier 1 live production that developers and broadcasters have long been calling for but didn’t think was possible for another decade.
Machine Learning, under the banner of Generative AI, is encroaching on creative aspects of Audio and Visual content generation, even down to production of movie scripts and screenplays. This builds on established applications of ML lower down the production chain, such as generation of clips and quality enhancement.
