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The team at NFL Media share invaluable insight into the truly huge AoIP comms system at their Hollywood Park production center.
Huw Bevan is an Executive Producer, Consultant and Head of Cricket for Sunset+Vine, in London, one of the UK’s leading independent sports production companies that produces a full slate of rugby, soccer and cricket events each year. This interview with him brings insight into the role of the creative project manager and its crucial place in the techniques and technology of live sports broadcast production.
You may also deploy non-SMPTE standards such as AES, MPEG and others in your workflow architectural design.
All of the AMWA NMOS documents are available free of charge at the AMWA web site. Download what you need.
There are many other useful recommendations published by the VSF and they are worth reviewing to understand the provenance of ST 2110.
ST 2110 does not stand in isolation but relies on many other related SMPTE standards.
As broadcast production begins to leverage cloud-native production systems, and re-examines how it approaches timing to achieve that potential, audio and its requirement for very low latency remains one of the key challenges.
The Applied Psychoacoustics Lab (APL) at the UK’s University of Huddersfield is an experimental hub created to advance our knowledge of the mechanism of human auditory experience, and provides perceptually-motivated solutions to audio engineering problems. Opened in 2013, its critical listening room has always relied on Genelec, and a recent upgrade to Genelec’s ‘The Ones’ Smart Active Monitors is supporting further advances in research.
